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Jane Flannery Schoenbrun (/ ˈ ʃ oʊ n b r ən /; [1] born 1987) is an American filmmaker. They [a] worked as a producer before making their directorial debut in 2018.
Apr 15, 2022 · Writer/director Jane Schoenbrun's “We’re All Going to the World’s Fair” captures this experience with the story of a shy teen girl named Casey (Anna Cobb in an incredible first movie role), who is caught up in a spooky transformational online game called the “World’s Fair.” Is it real?
We're All Going to the World's Fair is a 2021 American coming-of-age psychological horror film [ 7] written, directed, and edited by Jane Schoenbrun. The film stars Michael J. Rogers and Anna Cobb in her debut role. [ 8]
Jane (they/she) is a non-binary American filmmaker, writer, and curator committed to making and supporting personal, art-driven cinema. FILMOGRAPHY. I Saw the TV Glow ( upcoming) We’re All Going to the World’s Fair (2021) - Director, Writer, Editor. The Eyeslicer (2017-2019) - Co-Creator.
Jane Schoenbrun was born on 5 February 1987 in Ardsley, New York, USA. She is a producer and director, known for We're All Going to the World's Fair (2021), Collective: Unconscious (2016) and The Eyeslicer (2017).
Dec 6, 2022 · Jane Schoenbrun’s debut narrative feature, We’re All Going to the World’s Fair, is an entrancing horror film that shirks traditional three-act structure in favor of...
Jun 10, 2024 · Jane Schoenbrun Finds Horror Close to Home. The filmmaker mined their suburban upbringing for “I Saw the TV Glow,” a trans allegory that became a word-of-mouth hit—and captured Hollywood’s...
Apr 14, 2022 · “We’re All Going To the World’s Fair” is directed by Jane Schoenbrun, a trans and non-binary filmmaker and curator who wrote the film during a dark period in their life, before...
Apr 14, 2022 · Director Jane Schoenbrun’s deeply felt and formally audacious narrative feature debut plays like a collection of ransom notes—or eulogies, or old-school malware death screens—from a long-forgotten corner of the internet.
May 4, 2024 · ‘I Saw the TV Glow’: Jane Schoenbrun on Why Trans Stories Don’t Need to Explain Themselves and How Directing Is Just ‘Angry Sex Between Art and Commerce’
