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Javier Botet López (born 30 July 1977) is a Spanish actor. Often cast in creature roles, he portrayed Tristana Medeiros in the REC franchise (2007–2009), the title character in Mama (2013), Set in The Mummy (2017), Slender Man in the 2018 film of the same name, and Dracula in The Last Voyage of the Demeter (2023).
Javier Botet was born on 30 July 1977 in Ciudad Real, Spain. He is an actor and writer, known for It (2017), Amigo (2019) and The Mummy (2017).
May 26, 2019 · The Spanish actor, 41, has become well-known within the horror industry. On first glance, you probably wouldn't recognise Javier Botet. Though not a household name, the Spaniard has a portfolio...
Javier Botet was born on July 30, 1977 in Ciudad Real, Spain. He is an actor and writer, known for It (2017), Amigo (2019) and The Mummy (2017).
Aug 10, 2023 · Javier Botet is one of the most unique presences in 21st century cinema. Key to his signature, creeping charm is a rare genetic disorder.
May 26, 2019 · The Spanish actor, 41, has become well-known within the horror industry. By Kelly-Leigh Cooper. BBC News. On first glance, you probably wouldn't recognise Javier Botet. Though not a household...
Aug 7, 2023 · Javier Botet discusses his role as Dracula in the upcoming film The Last Voyage of the Demeter and his long-time dream to play the iconic vampire. Botet praises director André Øvredal and expresses excitement about working on a Dracula movie for Amblin, with Spielberg's involvement.
Jun 2, 2019 · 2 junio 2019. Alberto Morago. El actor español, de 41 años, es conocido dentro de la industria del cine de terror. A primera vista, probablemente no reconocerías a Javier Botet. Aunque su nombre...
Aug 10, 2023 · Javier Botet, this century's greatest monster performer, finally had a chance to play the greatest monster ever, Dracula, in The Last Voyage of the Demeter.
Sep 8, 2018 · The answer is Spain’s greatest export, Javier Botet. Javier is THE go-to for horror movie monsters in the last decade. His 6’7”, 120-pound frame has made him perfect for the long-limbed, double-jointed stuff of nightmares (as well as the bane of CGI artists) in some of horror’s biggest movies.
