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  1. Deutscher Werkbund. Peter Behrens (14 April 1868 – 27 February 1940) was a leading German architect, graphic and industrial designer, best known for his early pioneering AEG Turbine Hall in Berlin in 1909. He had a long career, designing objects, typefaces, and important buildings in a range of styles from the 1900s to the 1930s.

  2. Peter Behrens. (1868-1940) German painter, architect and designer. Peter Behrens played an important role in the development of modern architecture. He co-founded the Deutsche Werkbund and was a pionneer in industrial design. His collaboration with AEG (major German electric power company) let him design the factories as well as design electric ...

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  4. Apr 14, 2020 · The resulting buildingBehrens' first work of architecture—is indebted to Art Nouveau in some of its features, but it is more remarkable for the way in which it deviates from Art...

  5. www.the-artinspector.com › post › peter-behrens-the-kissPeter Behrens - The Kiss

    Peter Behrens (1868-1940) studied in Karlsruhe as well as Düsseldorf and later worked in Munich as a painter and book setter. He is one of the most important representatives of the Munich Art Nouveau. From 1898 he devoted himself primarily to the technique of woodcut.

  6. Apr 10, 2024 · Peter Behrens was an architect noted for his influential role in the development of modern architecture in Germany. In addition, he was a pioneer in the field of industrial design. After attending the fine arts school at Hamburg, Behrens went to Munich in 1897 during the time of the renaissance of.

    • The Editors of Encyclopaedia Britannica
  7. Peter Behrens (14 April 1868 – 27 February 1940) was a leading German architect, graphic and industrial designer, best known for his early pioneering AEG Turbine Hall in Berlin in 1909. He had a long career, designing objects, typefaces, and important buildings in a range of styles from the 1900s to the 1930s.

  8. From his early Art Nouveau work, he became one of twelve founders of the influential Deutscher Werkbund association. This tea kettle represents the group's preoccupation with mass production, particularly the introduction of factory-like aesthetics into domestic environments.

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