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  1. Wild in the Streets

    GP1968 · Comedy · 1h 37m

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  1. Wild in the Streets: Directed by Barry Shear. With Shelley Winters, Christopher Jones, Diane Varsi, Hal Holbrook. A young man gains significant political influence as the leader of a counterculture rock band with his rallying cry of voting rights for teenagers.

  2. Wild in the Streets is a 1968 American dystopian comedy-drama film directed by Barry Shear and starring Christopher Jones, Hal Holbrook, and Shelley Winters. Based on the short story "The Day It All Happened, Baby!" by Robert Thom, it was distributed by American International Pictures.

  3. Wild in the Streets (1968) cast and crew credits, including actors, actresses, directors, writers and more.

  4. Wild in the Streets / 1968. Teddysk89. 2.5K subscribers. Subscribed. 392. 44K views 6 years ago. Director: Barry Shear...more.

  5. A young man gains significant political influence as the leader of a counterculture rock band with his rallying cry of voting rights for teenagers. Wealthy 22-year-old Max Frost--born Max Jacob Flatow Jr.--is a rock music superstar, a franchise unto himself.

  6. REMASTERED IN HD!!Official Music Video for Wild In The Streets performed by Bon Jovi.Follow Bon Jovi:Facebook: https://www.facebook.com/BonJoviInstagram: htt...

  7. Find out how and where to watch "Wild in the Streets" on Netflix and Prime Video today - including free options.

  8. Mar 30, 2023 · Theatrical trailer of "Wild in the Streets" by Barry Shear. Starring Christopher Jones, Shelley Winters, Diane Varsi, Hal Holbrook, Millie Perkins, Richard Pryor, Bert Freed, Kevin...

  9. Musician Max Frost lends his backing to a Senate candidate who wants to give 18-year-olds the right to vote, but he takes things a step further than expected. Inspired by their hero's words, Max's fans pressure their leaders into extending the vote to citizens as young as 15.

  10. Wild in the Streets. Comedy. 94 minutes ‧ 1968. Roger Ebert. May 20, 1968. 2 min read. Once you’ve experienced a concert by a group like the Beatles or the Doors, the fascist potential of pop music becomes inescapable.

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