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  1. en.m.wikipedia.org › wiki › Zheng_CaoZheng Cao - Wikipedia

    Zheng Cao (July 9, 1966 – February 21, 2013) was a Chinese-born, American operatic mezzo-soprano known for her signature role of Suzuki in Madama Butterfly.

  2. Feb 22, 2013 · Mezzo-soprano Zheng Cao, a vivid and dramatically resourceful artist who appeared regularly with the San Francisco Opera and on stages worldwide, died Thursday night at her home in San Francisco...

  3. Dec 21, 2010 · Opera great Zheng Cao is one of the world's finest mezzo sopranos, but was shocked to learn she had terminal lung cancer. Revolutionary new therapies have given her a new lease on life and she's also found love.

  4. Feb 23, 2013 · Mezzo-soprano Zheng Cao, 46, whose nationally publicized fight against cancer was as inspiring as her vibrant singing, has died.

  5. Feb 22, 2013 · Mezzo-soprano Zheng Cao, a vivid and dramatically resourceful artist who appeared regularly with the San Francisco Opera and on stages worldwide, died Thursday night at her home in San Francisco...

  6. Mezzo-soprano Zheng Cao, in the midst of an astounding series of performances with Philharmonia Baroque Orchestra, performed as a substitute for the great mezzo Frederica von Stade (Flicka), singing beautifully and giving fully of her heart and soul.

  7. Zheng Cao's opera career and life were put on hold after learning she had cancer. Zheng Cao's last appearance with the San Francisco Opera was in the 2008 world premiere of Stewart Wallace 's opera The Bonesetter's Daughter, based on Amy Tan's novel.

  8. www.wikiwand.com › en › Zheng_CaoZheng Cao - Wikiwand

    Zheng Cao (July 9, 1966 – February 21, 2013) was a Chinese-born, American operatic mezzo-soprano known for her signature role of Suzuki in Madama Butterfly.

  9. The Committee of 100 mourns the passing of mezzo-soprano Zheng Cao, 46. Cao passed away on February 21, 2013 in her San Francisco home after a long battle against cancer.

  10. Jan 20, 2019 · Cao, who died of lung cancer in 2013 at 46, was both a gifted artist and an individual of unstoppable personal power, and those qualities came through in the scenes performed Saturday under the baton of conductor Jonathan Khuner.

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