The Man From U.N.C.L.E.
1964
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Joan Blondell – The Ultimate Dame. Few actresses, save maybe Miriam Hopkins or Kay Francis, are more closely associated with the era of pre-Code Hollywood than playful but tough-as-nails Joan Blondell. She was born Rose Joan Blondell in New York City in 1906.
May 31, 2019 · 40 Stunning Black and White Photographs of Joan Blondell, Actress With Big Blue Eyes and a Big Smile. Few actresses, save maybe Miriam Hopkins or Kay Francis, are more closely associated with the era of pre-Code Hollywood than playful but tough-as-nails Joan Blondell.
Jun 25, 2015 · Joan Blondell & Lilyan Tashman In Bed Pre-Code. A scene from the 1931 melodrama Millie with Joan Blondell, Lilyan Tashman (a lesbian in real life), and Helen Twelvetrees ~ You can see more...
Sep 15, 2020 · While we are not quite at 10,000 subscribers, we are close enough to celebrate, and what better way than with a double-dose of Joan Blondell! Blondell is the quintessential face of pre-Code,...
After winning a beauty pageant, she embarked on a film career, establishing herself as a Pre-Code staple of Warner Bros. Pictures in wisecracking, sexy roles, appearing in more than 100 films and television productions.
Sep 5, 2020 · Pre-Code Joan Blondell - Criterion Channel Introduction. Classic Hollywood’s consummate scene-stealing sidekick, Joan Blondell enjoyed a successful screen career for nearly five...
Nov 11, 2012 · In at least half of her pre-code films, Blondell makes an art not of stripping, but of dressing. No one ever did it quite as appealingly as Joan. Above: in Sinners’ Holiday (WB, 1930, Director: John G. Adolfi, Cinematographer: Ira Morgan ). Blondell was a fool for no man.
Nov 6, 2015 · Starring James Cagney, Joan Blondell, Ruby Keeler, Dick Powell, Frank McHugh, Guy Kibbee, Ruth Donnelly, Hugh Herbert, Claire Dodd, and Gordon Wescott. Screenplay by Manuell Seff and James Seymour. Directed by Lloyd Bacon.
JOAN BLONDELL (1932) Pre-Code portrait. [Hollywood]: Warner Brothers, [1932]. Vintage original 10 x 8″ (25 x 20 cm.) black-and-white print still photo, a couple of small chips in right blank margin, near fine. An unusually sexy (and very pre-Code) image of Joan Blondell in Lawyer Man.
Jan 15, 2008 · Working her way up the Warner Bros. ladder in endless gritty programmers, Blondell developed crack comic timing as she dished out Pre-Code dialogue, often in her underwear: in William Wellman’s Other Men’s Women (1931), she tells her many admirers that she’s “APO,” which she translates as, “Ain’t puttin’ out!”.
