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      • El surdo es un tambor cilíndrico de grandes dimensiones y sonido profundamente grave. Está típicamente hecho de madera o metal y posee pieles en ambos lados. Este tipo de tambor bajo es tradicionalmente usado en escuelas de samba, teniendo cada escuela un promedio de 25 a 35 unidades en su batería.
      es.wikipedia.org › wiki › Surdo
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  2. en.wikipedia.org › wiki › SurdoSurdo - Wikipedia

    The surdo is a bass drum or a large floor tom-like drum used in many kinds of Brazilian music, such as Axé/Samba-reggae and samba, where it plays the lower parts from a percussion section. The instrument was created by Alcebíades Barcelos during the 1920s and 1930s as part of his work with the first samba school in Rio de Janeiro , Deixa ...

  3. Jun 27, 2023 · June 27, 2023 by Hauard Corey. Imagine the pulsating rhythm of a parade coursing through the streets of Rio De Janeiro, the vibrant and melodic cacophony that is the essence of Carnival, and at the heart of that beat is the Surdo. Often referred to as the heartbeat of Samba, the Surdo drum is a fundamental piece of Brazilian music culture.

  4. The surdo is a Brazilian double-headed membranophone. Its strongest association is with the baterias (percussion sections) of Rio de Janiero samba schools, and with Afro-Brazilian Carnival music from Bahia in the northeast.

  5. Na música, o surdo (pt-BR) ou timbalão de chão (pt-PT? ) , é um tambor cilíndrico de som grave tipicamente feito de madeira e pode ou não possuir peles em ambos os lados. Este tipo de tambor baixo representa a extensão mais grave dos timbalões .

  6. El surdo es un tambor cilíndrico de grandes dimensiones y sonido profundamente grave. Está típicamente hecho de madera o metal y posee pieles en ambos lados. Este tipo de tambor bajo es tradicionalmente usado en escuelas de samba , teniendo cada escuela un promedio de 25 a 35 unidades en su batería.

  7. Oct 3, 2023 · Heading 1: The History of Surdo. The Surdo has a rich history that dates back to the origins of Brazilian carnival. It has African roots, brought to Brazil by enslaved Africans during colonization. The drum quickly became an integral part of Afro-Brazilian music and culture.

  8. While one hand strikes the drum with the mallet, the other mutes and/or plays some supportive or decorative rhythms around the main pulse. Surdos are most commonly and traditionally used in Escolas de Samba where they can have as many as 25 - 30 surdos in a group of 100 percussionists.

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