- DC versus Marvel Comics (issues #2–3 titled Marvel Comics versus DC) was a comic book miniseries crossover published by DC Comics and Marvel Comics from April to May 1996. The series was written by Ron Marz and Peter David, with art by Dan Jurgens and Claudio Castellini.
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DC versus Marvel Comics was a comic book miniseries crossover published by DC Comics and Marvel Comics from April to May 1996. The series was written by Ron Marz and Peter David, with art by Dan Jurgens and Claudio Castellini. The special crossover series pitted Marvel Comics superheroes against their DC counterparts in battle. The outcome of each battle was determined by reader ballot, which were distributed in advance to comic book stores.
- Marvel vs DC: Opposing themes. In the beginning, the two publishers showed distinct differences in their storytelling. On one hand, DC was known for telling colorful stories of gods who performed incredible feats to protect humanity and the greater good.
- DC vs Marvel: The copycat effect. They say that imitation is the sincerest form of flattery. If that statement holds true, Marvel and DC have been flattering each other for years.
- DC vs Marvel: Comics adaptations. Deciding who was the best in comics used to depend mostly on who wrote and illustrated the best stories. Then those stories started coming to life through television and film, sparking a new whole new debate that continues to this day with every major theatrical release and television series.
- Marvel vs DC: Top comics sellers. When you take away the creative differences, friendly jabs, and film adaptations, the DC vs. Marvel rivalry comes down to one very important question: Who sells the most comics?
Jun 18, 2017 · RELATED: Marvel Television’s Jeph Loeb Addresses Marvel vs. DC Rivalry, “Suicide Squad’s” Reception Again, for the most part, DC just ignored it all, but one DC Comics creator who got his fair share of Marvel knocks was Bob Haney, who had his own little comic book universe in Brave and the Bold where he could seemingly do whatever he wanted to.
- Brian Cronin
The Writer, also known as Grant Morrison, among numerous other names, is the representation of all DC Comics writers within the story. Believed to be the entities which drew DC Comics on the blank page that is the Overmonitor, The Writers represent DC's true supreme beings. To him or her, reality and its inhabitants are just stories, characters that can be shaped into whatever they desire them to be, and should they become unsatisfied with the current state of creation, it can all be easily ...
- Lois Lane becomes a Black woman. There was a lot of racism in early comics. Thankfully, in some cases, this led to companies examining their content and often bringing in a more diverse writing staff.
- Body-shaming jokes. Another gem from Superman’s painfully problematic history came when, in the ’50s, writers decided to reinforce exactly how much of a dick Superman really is.
- The Brown Bomber. Pivoting back to racism, I give you perhaps the worst story pitch in the history of comics. The CW’s popular series Black Lightning debuted in 2018, but many people are unaware of how this character began.
- The woman in the fridge. Taking a very different tone from the first three entries on this list, we have the murder and fridge-stuffing of Kyle Rayner’s girlfriend in Green Lantern.
Gifts vs Curses 3. Marvel vs DC Comics: Some other differences 4. Final Thought. 1. Marvel vs DC Comics: The Starting Point. For starters, let’s return to history a little bit. Marvel and DC Comics’ beginning point were pretty close, in which DC Comics first began in 1934 while Marvel started in 1939. DC Comics
Founded in 1961, Timely Comics (later renamed Marvel) joins the “superhero trend” with Human Torch in 1939. Captain America, one of Marvel’s leading superheroes, is among the popular characters of the 1940s. Nevertheless, DC clearly has the upper hand in the superhero comics world until the 1960s; Marvel simply cannot seem to keep up with DC.
Dec 23, 2019 · Tom Taylor has actually done wonders for both DC and Marvel Comics. However, his work at Marvel is far more established within the main universe in comparison to Taylor’s work at DC. Having tackled big brands such as Iron Man, the X-Men, and even Spider-Man, Taylor has proven he is capable of capturing an assortment of different voices.
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