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  1. Jan 11, 2020 · Embroidered jacket, ca. 1610-15; 1620 (altered). Linen, embroidered with coloured silks, silver and silver-gilt thread, lined with silk; length: 51 cm back of neck to waist, width: 60 cm. London: Victoria & Albert Museum, T.228-1994.

  2. Diagram of an embroidered jacket, c. 1610; Margaret Laton's jacket and portrait (jacket c. 1610 with alteration c. 1620; portrait c. 1620); see also these detailed photos of the jacket; Portrait of a lady of the Hampden family, c. 1610; MFA 43.243, c. 1610-1615; Portrait of a lady, possibly Margaret Arundel, Lady Weston, c. 1610-1616; MoL 59 ...

  3. Jan 10, 2020 · Until about 1620, women still wore embroidered jackets.” (273) The foundation garment for all dress was the chemise, atop which women now wore stays to create the desirable silhouette of the time. We’re given a rare peek at early seventeenth-century stays in the portrait of Elizabeth Vernon, Countess of Southampton (Fig. 1), who is shown ...

    • What is a 1610 embroidered jacket?1
    • What is a 1610 embroidered jacket?2
    • What is a 1610 embroidered jacket?3
    • What is a 1610 embroidered jacket?4
    • What is a 1610 embroidered jacket?5
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  5. The waistcoat is embroidered in detached buttonhole, stem, plaited braid, chain, couching and dot stitches, with knots and speckling, with coloured silk threads, silver-gilt threads and spangles. Time. Although the waistcoat was made about 1610, the portrait was painted more than 10 years later.

    • Waistcoat
    • Jacobean
    • Unique
  6. Jacket and portrait of Margaret Layton, about 1610 V&A Museum no. T.228-1994. Margaret Layton's jacket is a surviving example of English Jacobean embroidery, significant because it appears in a portrait which has also survived.

  7. Jan 6, 2018 · The passementerie embroidery on the sleeves and braid trim around the neck and front are directly replicated from a Hausa boy’s jacket which Schnurer documented while in Ghana. In Fall 2015, Burberry released a sweater coat (Fig. 6) that was featured in Vogue showing a modern use of passementerie via tassels lining the fringe of the garment.

  8. In England of the 1610s and 1620s, a loose nightgown was often worn over an embroidered jacket called a waistcoat and a contrasting embroidered petticoat, without a farthingale.

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