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Apr 4, 2024 · Henri Matisse. Georges Braque. Georges Rouault. Sir Matthew Smith. Max Weber. Fauvism, style of painting that flourished in France around the turn of the 20th century. Fauve artists used pure, brilliant colour aggressively applied straight from the paint tubes to create a sense of an explosion on the canvas.
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Henri Matisse (born December 31, 1869, Le Cateau, Picardy,...
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The artists who would later be called the Impressionists met...
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- Beginnings of Fauvism
- Fauvism: Concepts, Styles, and Trends
- Later Developments - After Fauvism
In the opening years of the twentieth century, Post-Impressionist painters working in France such as Van Gogh, Gauguin, Seurat, and Cézanne were considered leaders in avant-gardeart. Their collective experiments with paint application, subject matter, expressive line, and pure color were advances that fed the emergence of Fauvism. Symbolism, with i...
An Expanding Circle
Despite initial hostility from critics, many of the Fauves enjoyed commercial success following the Salon d'Automne exhibition of 1905. Their art was featured at additional exhibits held over the following years, notably at the Salon des Indépendants in 1907, where the main attraction was a large room dubbed "The Fauves' Den." Meanwhile, other artists began to join the central trio of Matisse, Derain, and de Vlaminck. The expanding group of Fauves (all based in France) eventually included Oth...
The Primacy of Color
All the Fauves were intensely preoccupied with color as a means of personal expression. Color and the combination of colors constituted the intrinsic subject, form, and rhythm of their work. A sky could be orange, a tree could be blue, a face could be a combination of seemingly clashing colors; the end result was a wholly independent product of the artist's perception, rather than a faithful depiction of the original physical form. Additionally, compositional elements were built up through th...
Subject and Style
In their shared preoccupation with expression through color and form, these artists were generally less concerned with the novelty of their subject matter. Whereas the Impressionists and Post-Impressionists had depicted scenes of modern, urban life, such as the boulevards, cafés, and concert halls of Paris, the Fauves took more traditional subjects as their starting points. Their subject matter drew from the world around them and included portraits, landscapes, seascapes, and figures in inter...
The Fauves' tendency to distort form and color in order to express inner sensations was a strong influence on the Expressionists, whose own artistic movement proved much longer-lived and more cohesive. The German Expressionists, led by such artists as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff, employed a similarly aggressive use of color in t...
Jun 18, 2021 · Henri Matisse and Andre Derain are typically the two artists cited by art historians as the pioneers of Fauvism at the start of the 20th century. These two artists were the foundation of a group of young French painters who found expression through simple shapes and bold colors.
Fauvism (/ f oʊ v ɪ z əm /) is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves ( French for the wild beasts ), a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by ...
October 2004. Fauvism was the first of the avant-garde movements that flourished in France in the early years of the twentieth century. The Fauve painters were the first to break with Impressionism as well as with older, traditional methods of perception.
Dec 6, 2023 · The best known Fauve artists include Henri Matisse, André Derain, and Maurice Vlaminck who pioneered its distinctive style.
Mar 2, 2019 · History of the Fauvism Art Movement. André Derain (French, 1880-1954). Charing Cross Bridge, London, 1906. Oil on canvas. "Fauves! Wild beasts!" Not exactly a flattering way to greet the first Modernists, but this was the critical reaction to a small group of painters exhibiting in the 1905 Salon d'Automme in Paris.
