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Antonio del Pollaiuolo (UK: / ˌ p ɒ l aɪ ˈ w oʊ l oʊ / POL-eye-WOH-loh, US: / ˌ p oʊ l-/ POHL-, Italian: [anˈtɔːnjo del pollaˈjwɔːlo]; 17 January 1429/1433 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and ...
- Battle of the Nudes, 2 papal tombs
printmaking. In printmaking: Italy. …lies in his influence on Antonio Pollaiuolo, a Florentine painter, sculptor, and architect whose reputation as one of the most distinguished engravers of the 15th century is based on his one authenticated print, The Battle of the Nudes (c. 1470)—a powerful image, beautifully engraved in the broad manner.
about 1432 - 1498. Image: Antonio del Pollaiuolo. The Florentine brothers Antonio and Piero del Pollaiuolo were born some 10 years apart and started on different paths. Antonio trained as a goldsmith, and as a sculptor in the Ghiberti workshop. Piero trained as a painter, perhaps with Andrea dal Castagno.
Antonio del Pollaiuolo (UK: /ˌpɒlaɪˈwoʊloʊ/, Italian: [anˈtɔːnjo del pollaˈjwɔːlo]; 17 January 1429/1433 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo, was an Italian painter, sculptor, engraver and goldsmith during the Italian Renaissance. He was born in Florence. His brother, Piero, was ...
- Italian
- Florence, Italy
The Battle of the Nudes or Battle of the Naked Men, probably dating from 1465–1475, is an engraving by the Florentine goldsmith and sculptor Antonio del Pollaiuolo which is one of the most significant old master prints of the Italian Renaissance. The engraving is large at 42.4 × 60.9 cm, and depicts five men wearing headbands and five men ...
Battle of the Nude Men. One of the earliest and most influential Italian engravings, this print is an anomaly in many respects. It is the largest engraving of its time, and the only one signed by the Florentine artist Antonio Pollaiuolo (1431/32–1498).
Pollaiuolo brothers, Italian brothers who, as sculptors, painters, engravers, and goldsmiths, produced myriad works together under a combined signature. Antonio del Pollaiuolo (original name Antonio di Jacopo d’Antonio Benci; b. Jan. 17, 1431/32, Florence [Italy]—d. 1496, Rome) and Piero del.
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