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Arthur Lipsett (May 13, 1936 – May 1, 1986) was a Canadian filmmaker with the National Film Board of Canada. His short, avant-garde collage films, which he described as "neither underground nor conventional”, contain elements of narrative, documentary, experimental collage, and visual essay.
- see below
- Arthur Harold Lipsett, May 13, 1936, Montreal, Quebec, Canada
- 1958–1978
- May 1, 1986 (aged 49), Montreal, Quebec, Canada
Oct 5, 2016 · Inside the Disturbed and Disturbing Collage Films of Avant-Garde Genius Arthur Lipsett. By Carolyne Weldon. Films, On Film. October 5, 2016. Reading time: 4 minutes. To celebrate the fact that all of Arthur Lipsett’s experimental films are now available for free streaming on NFB.ca, we’ve programmed a special Lipsett Week on the site this week.
Arthur Lipsett. Director: N-Zone. Arthur Lipsett was born on 13 May 1936 in Montreal, Quebec, Canada. He was a director and editor, known for N-Zone (1970), A Trip Down Memory Lane (1965) and Free Fall (1964). He died on 1 May 1986 in Montreal, Quebec, Canada.
- Director, Editor, Cinematographer
- May 13, 1936
- Arthur Lipsett
- May 1, 1986
Feb 15, 2012 · Arthur Lipsett, filmmaker (born at Montréal 13 May 1936; died April 1986), worked at the National Film Board of Canada (1958- 70) where he was one of very few to make experimental films. Arthur Lipsett's most famous film is Very Nice, Very Nice, made in 1961.
Jul 26, 2004 · Arthur Harold Lipsett. b. Montreal, Canada, May 13, 1936. d. Montreal, Canada, May 1, 1986. Filmography. Select Bibliography. Articles in Senses. Web Resources. Almost two decades after his death Arthur Lipsett remains an anomaly within Canadian and avant-garde film histories.
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May 13, 2010 · IN 1958, a precocious twenty-two-year-old Montrealer named Arthur Lipsett joined the animation department at the National Film Board (NFB). Apart from his regular work, and when no one was looking, Lipsett took to scavenging the trim bins for B-rolls and discarded sound reels.
Arthur Lipsett (May 13, 1936 – May 1, 1986) was a Canadian filmmaker with the National Film Board of Canada. His short, avant-garde collage films, which he described as "neither underground nor conventional”, contain elements of narrative, documentary, experimental collage, and visual essay.