Aleksandr Abdulov
Gulliver
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Summary. This essay provides an overview of archaeological approaches to the Catalogue of Ships. Debates have focused on two interrelated issues: (1) whether the Catalogue is a snapshot of the Greek world during a particular era, and (2) which era, if any, that may be.
Bk II:581-644 The Catalogue of Ships – Western Greece From the hollow lands and valleys of Lacedaemon they came, from Pharis , Sparta , and dove-haunted Messe , from Bryseiae and lovely Augeiae , from Amyclae and the sea fort, Helos , from Laas , and Oetylus , in sixty ships commanded by Agamemnon ’s brother, Menelaus of the loud-war-cry ...
Jun 5, 2016 · The Catalogue of Ships; H. T. Wade-Gery; Book: The Poet of the Iliad; Online publication: 05 June 2016; Chapter DOI: https://doi.org/10.1017/CBO9781316530085.005
The Catalogue. The Catalogue lists 28 contingents accounting for a total of 1186 ships, corresponding to a force of some 100.000 to 140.000 men. It contains 50 toponyms and 150 ethnonyms. 1. (II.494) Boeotians: 50 ships with 120 men each. 2. (II.511) Minyans: 30 ships. 3. (II.517) Phocians: 40 ships.
Dec 19, 2019 · Homer’s Iliad; the ‘Catalogue of ships’ and what we can learn from it – Phocis – Novo Scriptorium. In this series of articles we attempt an in-depth analysis of the Achaean ‘ Catalogue of ships ‘. Using the etymology of the various names, we receive valuable historical and cultural information. Iliad, Second Rhapsody, v. 517-526.
Nov 2, 2019 · Homer’s Iliad; the ‘Catalogue of ships’ and what we can learn from it – Aspledon & Orchomenus – Novo Scriptorium. In this series of articles we attempt an in-depth analysis of the Achaean ‘ Catalogue of ships ‘. Using the etymology of the various names, we receive valuable historical and cultural information. Iliad, Second Rhapsody, v. 511-516.
THE CATALOGUE OF THE SHIPS. Vs. 484-785. The forces of the Achaeans. 484-493. Prooemium: Invocation of the Muses. 484 = “ Λ 218, Ξ 508, Π ” 112.—Solemn invocation of the muses where a faithful memory is needed for telling the story, or where the theme taxes the poet's powers. cf. “ ἄειδε θεά Α 1, ἄνδρα μοι ...
