Sweet Smell of Success
1957
Search results
Clifford Odets (July 18, 1906 – August 14, 1963) [1] was an American playwright, screenwriter, and actor. In the mid-1930s, he was widely seen as the potential successor to Nobel Prize–winning playwright Eugene O'Neill, as O'Neill began to withdraw from Broadway's commercial pressures and increasing critical backlash. [2]
Mar 29, 2024 · Clifford Odets (born July 18, 1906, Philadelphia, Pennsylvania, U.S.—died August 14, 1963, Hollywood, California) was a leading dramatist of the theatre of social protest in the United States during the 1930s. His important affiliation with the celebrated Group Theatre contributed to that company’s considerable influence on the American stage.
Clifford Odets. Writer: Sweet Smell of Success. Clifford Odets dropped out of high school to pursue acting. In the 1930s he became a charter member of the Group Theatre, the famous "Method" acting troupe founded by Harold Clurman, Lee Strasberg and Cheryl Crawford.
Clifford Odets was born on July 18, 1906, in Philadelphia, Pennsylvania. He was raised in the Bronx, New York, but dropped out of high school to pursue acting. He helped found the Group Theatre in 1933, an influential left-wing theatre company that specialized in experimental acting.
Apr 9, 2006 · On April 17th, to mark the centennial of the birth of the playwright Clifford Odets, Lincoln Center Theatre will open a new production of “Awake and Sing!,”. Odets’s first full-length play...
May 21, 2018 · A playwright, film scenarist, and director, Clifford Odets (1906-1963) was America's outstanding dramatist in the 1930s. His colloquial dialogue, vital ideological protests on behalf of human dignity, and feeling for the family were distinctive. Clifford Odets was born on July 18, 1906, in Philadelphia, Pa.
SHOW ALL QUESTIONS. Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and actor. In the mid-1930s, he was widely seen as the potential successor to Nobel Prize–winning playwright Eugene O'Neill, as O'Neill began to withdraw from Broadway's commercial pressures and increasing critical backlash.
