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  1. Frank Tuttle
    American film director

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  1. en.wikipedia.org › wiki › Frank_TuttleFrank Tuttle - Wikipedia

    Frank Wright Tuttle (August 6, 1892 – January 6, 1963) was a Hollywood film director and writer who directed films from 1922 (The Cradle Buster) to 1959 (Island of Lost Women).

  2. www.imdb.com › name › nm0878338Frank Tuttle - IMDb

    Director: The Cradle Buster. Writer / director Frank Tuttle, whose Hollywood career stretched from the silent movie era to the dawn of the 1960s, was born on August 6, 1892, in New York City. His first credit in the movie industry was as a screenwriter for the Monte Blue picture The Kentuckians (1921) in 1921 for Famous Players-Lasky (Paramount).

  3. Director: The Cradle Buster. Writer / director Frank Tuttle, whose Hollywood career stretched from the silent movie era to the dawn of the 1960s, was born on August 6, 1892, in New York City. His first credit in the movie industry was as a screenwriter for the Monte Blue picture The Kentuckians (1921) in 1921 for Famous Players-Lasky (Paramount).

  4. Fantasy author Frank Tuttle reveals his tips and tricks of the trade in a how-to book designed for the new (or young!) author. Learn how to build a story from the bones up, avoid the perils of head-hopping and infodumps, and take stories apart to see what makes them work.

  5. Showing 23 distinct works. sort by. * Note: these are all the books on Goodreads for this author. To add more books, click here . Frank Tuttle has 23 books on Goodreads with 10569 ratings. Frank Tuttles most popular book is All the Paths of Shadow (Paths of Shadow, #1).

  6. Oct 1, 2017 · Who is frank tuttle? Frank Tuttle first began writing under the woefully mistaken impression doing so would release him from the burden of ever doing honest work. “It turns out writing is hard,” said Frank as he pulled out great handfuls of hair. “That was never mentioned in Strunk and White’s Elements of Style.

  7. Biography by AllMovie. Frank Tuttle isn't too well remembered today, but at the height of his career, he was one of the highest paid studio-employed directors in Hollywood, an inventive and highly respected filmmaker whose movies were all profitable; he was a serious stylist in the field of film noir.

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