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Giorgione (Italian: [dʒorˈdʒoːne], UK: / ˌ dʒ ɔːr dʒ i ˈ oʊ n eɪ,-n i /, US: / ˌ dʒ ɔːr ˈ dʒ oʊ n i /; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties.
- Painting
- Republic of Venice
Giorgione (born c. 1477/78, Castelfranco Veneto, Republic of Venice [Italy]—died before November 7, 1510, Venice) was an extremely influential Italian painter who was one of the initiators of a High Renaissance style in Venetian art. His qualities of mood and mystery were epitomized in The Tempest ( c. 1505), an evocative pastoral scene ...
May 11, 2018 · Giorgione (1477-1510) was a Venetian painter of the High Renaissance, known for his poetic and romantic style. Learn about his life, career, influences, and paintings, such as the Tempest, the Sleeping Venus, and the Fondaco dei Tedeschi frescoes.
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Learn about the life and work of Giorgione, one of the most influential artists of the Venetian High Renaissance, who painted luminous color and intuitive responses to nature. Explore his technical innovations, his mythological and pastorals scenes, and his influence on later artists.
Learn about the mysterious and influential painting by Giorgione, The Tempest, c. 1505-1508, and its various interpretations and innovations. Explore the ambiguous imagery, the landscape genre, and the artistic legacy of Giorgione in Venetian art.
Giorgione was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art.
Giorgione was the most brilliantly inventive and original amongst a remarkable generation of Venetian painters that included the young Titian, Sebastiano del Piombo, Palma Vecchio and Lorenzo Lotto. Only a dozen or so surviving paintings can be securely attributed to his hand and these show an extraordinary range of subject matter and treatment.
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