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  1. Jacques Viot (1898–1973) was a French novelist and screenwriter. After service in the artillery during the First World War he became involved with the Surrealist movement. From the mid-1930s he began working on screenplays, collaborating with directors such as Marcel Carne, Jacques Feyder and Marcel Camus.

    • 29 January 1973 (aged 74), Nantes, Loire-Atlantique, France
    • 1935–1964 (film)
    • Writer
  2. Jacques Viot est un écrivain et scénariste français, né le 20 novembre 1898 à Nantes, ville où il est mort le 29 janvier 1973. Biographie [ modifier | modifier le code ] Jacques Viot naît dans une famille de la haute bourgeoisie nantaise [ 1 ] , d'origine tourangelle , qui a compté plusieurs armateurs .

  3. www.imdb.com › name › nm0899254Jacques Viot - IMDb

    Jacques Viot was born on 20 November 1898 in Nantes, Loire-Atlantique, France. Jacques was a writer, known for Black Orpheus (1959) , Le Jour Se Leve (1939) and Il prigioniero del re (1954) . Jacques died on 29 January 1973 in Nantes, Loire-Atlantique, France.

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  5. en.wikipedia.org › wiki › Jacques_ViotJacques Viot - Wikipedia

    Jacques Viot. S. E. Jacques Viot (25 August 1921 – 4 July 2012) was a French academic and diplomat . The son of Edmond Viot, a civil servant, he was educated at Lycée Louis-le-Grand before attending ENS Paris . Formerly a lecturer at Trinity College Dublin and a professor of ENA in Paris, he served as French Ambassador to the United Kingdom ...

  6. Nov 13, 2014 · As written by Prevert in collaboration with Jacques Viot, “Le Jour Se Leve” (which translates as “Daybreak”) opens with huge type filling the screen and proclaiming, “A man has killed ...

  7. Jul 24, 2018 · Collected in 1929 from west New Guinea by Parisian poet and filmmaker Jacques Viot, Double figure captivated a generation of surrealist artists. Having spent a lifetime travelling the globe, Double figure is enjoying life as a prized work in the National Gallery's Pacific Art collection.

  8. The Policeman. 1925. Joan Miró. Spanish, 1893–1983. Soon after Joan Miró moved to Paris from his native Barcelona in 1920, he met a group of avant-garde painters and writers who advocated merging the everyday rational world with that of dreams and the unconscious in order to produce an absolute reality, or surreality.

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