Gremlins
1984
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Joe Dante. Joseph James Dante Jr. ( / ˈdɑːnteɪ /; born November 28, 1946) is an American filmmaker, producer, editor and actor. His films—notably Gremlins (1984) alongside its sequel, Gremlins 2: The New Batch (1990)—often mix the 1950s-style B movie genre with 1960s radicalism and cartoon comedy. Dante's output includes the films ...
Joe Dante is a graduate of the Philadelphia College of Art. After a stint as a film reviewer, he began his filmmaking apprenticeship in 1974 as trailer editor for Roger Corman's New World Pictures. He made his directorial debut in 1976 with Hollywood Boulevard (1976) (co-directed with Allan Arkush), a thinly disguised spoof of New World ...
Joe Dante. Director: Innerspace. Joe Dante is a graduate of the Philadelphia College of Art. After a stint as a film reviewer, he began his filmmaking apprenticeship in 1974 as trailer editor for Roger Corman's New World Pictures. He made his directorial debut in 1976 with Hollywood Boulevard (1976) (co-directed with Allan Arkush), a thinly disguised spoof of New World exploitation pictures ...
Sep 2, 2022 · Joe Dante: Well, it’s a longstanding experience.It started in 1968 or something like that. You’ll be interested to know that the American Genre Film Archive is in the process of restoring The ...
Jun 17, 2015 · If It's A Good Picture, It's A Miracle!: An Interview with Joe Dante. Peter Sobczynski June 17, 2015. Tweet. Although he may have never enjoyed the kind of instant name recognition of the likes of such contemporaries as Steven Spielberg, George Lucas or Robert Zemeckis, the appearance of Joe Dante's name on a new film is a cause for celebration ...
Joseph James Dante Jr. is an American filmmaker, producer, editor and actor. His films—notably Gremlins (1984) alongside its sequel, Gremlins 2: The New Batch (1990)—often mix the 1950s-style B movie genre with 1960s radicalism and cartoon comedy.
GAbe klinger. Our full interview with the "post-cult" filmmaker Joe Dante—an expansive chat that takes in ’80s horror, monster movies, the resurgence of practical FX, tricks learned from Roger Corman, and battles with Hollywood. Believe it or not, the 254-page volume I co-edited on Joe Dante, jointly published by the Austrian Film Museum ...
