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Lorca is the fifth studio album by singer-songwriter Tim Buckley, released in 1970 on Elektra Records. It was named after Spanish poet Federico Garcia Lorca, [3] and was recorded simultaneously with Blue Afternoon (1969), though notably different in style. Its avant-garde approach breaks away from traditional songwriting styles, such as the ...
- Dick Kunc
- June 1970
- 18, 19 & 26 September 1969
Jun 12, 2021 · A moody, atmospheric album, Lorca captures the 23-year-old artist in transition, searching for his musical identity. Underwood, who went on to write a book called Blue Melody, in remembrance of his time with the singer, believed Lorca was a crucial part of Buckley’s development. “Having done his ‘folk’ thing, his ‘rock’ thing and ...
Oct 8, 2023 · Lighter in mood, they nonetheless reflect Buckley’s manic energies, from the pulsating undertow of Driftin’ to the euphoric runs of Nobody Walkin’ – clearly influenced by Miles Davis’ just-issued In A Silent Way. Released in 1970, Lorca boldly pushes at the extremes of his talent. It’s also, perhaps, a resentful “fuck you” aimed ...
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Lorca by Tim Buckley released in 1970. Find album reviews, track lists, credits, awards and more at AllMusic.
"Lorca" is the 5th full-length studio album by US experimental folk rock artist Tim Buckley.The album was released through Elektra Records in May 1970.Tim Buckley had intentionally begun to explore experimental ideas, free form mellow jazz and loose jamming, on his previous two albums "Happy Sad (1969)" and "Blue Afternoon (1969)" in an effort to move away from his original more traditional ...
ADVERTISEMENT. UMUR May 13 2012. "Lorca" is the 5th full-length studio album by US experimental folk rock artist Tim Buckley. The album was released through Elektra Records in May 1970. Tim Buckley had intentionally begun to explore experimental ideas, free form mellow jazz and loose jamming, on his previous two albums "Happy Sad (1969)" and ...
Lorca, along with the harrowing masterpiece Starsailor, is arguably the artistic high-water mark of Tim Buckley’s career. Though Lorca’s meandering and occasionally dissonant compositions sounded little like the gentle folk-rock on which Buckley had built his reputation, the keening experimentation here found Buckley exploring the potential of his four-octave vocal range to intoxicating ...
