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  1. Margaret Booth

    Margaret Booth

    American film editor

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  1. Margaret Booth was born on January 16, 1898, in Los Angeles to Edward J. Booth, Sr. and Margaret A. Boland. Her older brother was Elmer Booth, who was an actor for D. W. Griffith and the breadwinner for the family. On June 16, 1915, Elmer was riding with actor George Siegmann in a car driven by Tod Browning. Due to the heavy fog that day ...

  2. Margaret Booth was a film editor and producer who worked for MGM and Ray Stark. She was awarded an honorary Oscar in 1977 and lived for 104 years.

    • January 14, 1898
    • October 28, 2002
  3. Margaret Booth (1898-2002) was a film editor and producer who worked on classics like Mutiny on the Bounty, Gigi and Annie. She was nominated for an Oscar and was the first "cutter" to be called a "film editor".

    • January 1, 1
    • Los Angeles, California, USA
    • January 1, 1
    • Los Angeles, California, USA
  4. Learn about the life and career of Margaret Booth, who started as a film joiner for D.W. Griffith and became one of the most influential editors in Hollywood. Discover how she helped shape the visual style of silent and sound films, from Intolerance to Gone with the Wind.

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  5. Margaret Booth. Highest Rated: 96% Mutiny on the Bounty (1935) Lowest Rated: 80% Dancing Lady (1933) Birthday: Jan 16, 1898. Birthplace: Los Angeles, California, USA. Hailed by Kevin Brownlow in ...

  6. Oct 28, 2002 · From Wikipedia Margaret Booth (January 16, 1898 – October 28, 2002) was an American film editor. Born in Los Angeles, she started her Hollywood career as a 'patcher', editing films by D. W. Griffith, around 1915. Her brother was actor Elmer Booth. Later she worked for Louis B. Mayer when he was an independent film producer. When Mayer merged with others to form Metro-Goldwyn-Mayer in 1924 ...

  7. Oct 28, 2002 · Hailed by Kevin Brownlow in "The Parade's Gone By..." as "one of the great motion picture editors," Margaret Booth was an important and pioneering figure in the motion picture industry. In a career that spanned some nine decades, she went from being a film joiner in silents to an acclaimed editor to a production executive.

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