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The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom").
Masaccio has rightly been heralded as one of the most important figures in the history of Western painting, introducing the perspective and naturalism that would characterise the art of the Renaissance, and continue to dominate Western European art until the late 19 th century.
Masaccio was an important Florentine painter of the early Renaissance whose frescoes in the Brancacci Chapel of the Church of Santa Maria del Carmine in Florence (c. 1427) remained influential throughout the Renaissance. In the span of only six years, Masaccio radically transformed Florentine.
Masaccio (Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance.
Mar 13, 2020 · Founder of the Early Renaissance and master of perspective, Masaccio was one of Florence’s most important artists. Read on to find out about his tragically short life and immortal legacy.
Apr 1, 2022 · Masaccio - First Italian Master of the Quattrocento. Florentine painter Tommaso Masaccio, known for his artworks such as Madonna and Child with St Anne (1425), is widely regarded as the very first authentic Renaissance artist.
Masaccio was born in Castel San Giovanni (now called San Giovanni Valdarno, province of Arezzo) on 21 December 1401. Already by October of 1418 he was working as a painter and living in Florence.
Masaccio was the most revolutionary painter of the Early Renaissance. The Virgin and Child in the National Gallery is the central fragment of one of his most important works, a polyptych made at the age of 25 for the church of the Carmine in Pisa.
Western painting - Masaccio, Renaissance, Frescoes: Masaccio has rightly been called the father of Renaissance painting, for every major artist of the 15th and 16th centuries in Florence began his career by studying Masaccio’s murals in fresco.
Shortly after completing the Pisa Altarpiece, Masaccio began working on what was to be his masterpiece and what was to inspire future generations of artists: the frescoes of the Brancacci Chapel (c. 1427) in the Florentine Church of Santa Maria del Carmine.
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