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  1. Melinda Gebbie (born 1947) is an American comics artist and writer, known for her participation in the underground comix movement. She is also known for creating the controversial work Fresca Zizis and her contributions to Wimmen's Comix , as well as her work with her husband Alan Moore on the three-volume graphic novel Lost Girls and the ...

    • American
  2. Watch a video showcasing the art of Melinda Gebbie, a comic book artist and author known for her work on Lost Girls and The Bad Girl. Explore her gallery of paintings, drawings, and comics featuring mythical, erotic, and surreal themes.

  3. melindagebbie.com › aboutmeMelindaGebbie.com

    Melinda Gebbie’s comics are different from the Underground background she shared with other San Fransisco cartoonists from the 1970s. While Robert Crumb was fixating on big-legged ‘gurls’, and Gilbert Shelton was plucking his Furry Freak Brothers from out of one marijuana-related catastrophe after another, Melinda was drawing the other ...

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  5. An Interview with Alan Moore and Melinda Gebbie. 127,522 views. 1.6K. Bringing the political legacy of Gillray and eighteenth-century caricature up to the present day, renowned comics creators...

    • Jun 14, 2012
    • 128.6K
    • Nottingham Contemporary
  6. Melinda Gebbie Interview. Melinda Gebbies comics are different from the underground background she shared with other San Francisco cartoonists from the 1970s.

  7. Nov 6, 2023 · Melinda Gebbie was a fine artist from San Francisco, when she made her first comix after meeting Lee Marrs at a publishers' fair in 1973. Lee asked her to contribute to Wimmen's Comix, and Melinda published her first story in issue 3 of this all-women comic book published by Last Gasp.

  8. melindagebbie.com › aboutme_paintingsMelindaGebbie.com

    Paintings Gebbie’s paintings are large, square, wildy colourful and differ in style, each to each. The subject matter often deals with issues of everyday intimacy – Man, Woman, Mother and Daughter; the perceptual challenges of being locked inside one’s head while trying to untie the Gordian Knot of relativity to one’s own experiences, and more difficult even, one’s relationships to ...

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