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  1. Pietro Perugino (US: / ˌ p ɛr ə ˈ dʒ iː n oʊ,-r uː ˈ-/ PERR-ə-JEE-noh, -⁠oo-, Italian: [ˈpjɛːtro peruˈdʒiːno]; born Pietro Vannucci or Pietro Vanucci; c. 1446/1452 – 1523), an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance.

  2. Apr 1, 2024 · Early Renaissance. Renaissance. Perugino (born c. 1450, Città della Pieve, near Perugia, Romagna [Italy]—died February/March 1523, Fontignano, near Perugia) was an Italian Renaissance painter of the Umbria school and the teacher of Raphael. His work (e.g., Christ Giving the Keys to St. Peter, 1481–82, a fresco in the Sistine Chapel in Rome ...

    • Peter J. Murray
  3. Sep 17, 2020 · Pietro Perugino (c. 1450-1523 CE), real name Pietro di Cristoforo Vannucci, was an Italian Renaissance artist who created frescoes for the Vatican's Sistine Chapel and was in demand across Italy to decorate church interiors and produce portraits of the ruling class.

    • Mark Cartwright
  4. Learn about the life and work of Pietro Perugino, a Renaissance painter who worked in Florence, Rome and Perugia. See his famous paintings of the Virgin and Child, the Sistine Chapel and other scenes of his artistic style and influence.

  5. Pietro Perugino was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. He was Raphael's most famous pupil and painted frescoes for the Sistine Chapel walls. Learn more about his life, works, and style from this comprehensive article.

    • Italian
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  7. Perugino's most famous pupil was, of course, Raphael. Born in Città della Pieve about 1450, Pietro Vannucci evidently received his initial training in his native Umbria. According to Vasari, his teacher was the Florentine painter/sculptor Verrocchio, and several Verrocchiesque pictures have accordingly been assigned to Perugino's early years ...

  8. A tempera painting on wood by the Italian Renaissance master Perugino, depicting the Resurrection of Christ. It was part of an altarpiece in the Art Institute of Chicago and is now on view at The Met Fifth Avenue.

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