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  1. en.wikipedia.org › wiki › Vertical_ManVertical Man - Wikipedia

    Starr enlisted the help of many of his musician friends in making Vertical Man, including Scott Weiland, Brian Wilson, Alanis Morissette, Ozzy Osbourne, Tom Petty, Joe Walsh, Timothy B. Schmit, Steven Tyler, and his former Beatles bandmates Paul McCartney and George Harrison.

    • March 1997 – February 1998
    • Rock
    • 16 June 1998
    • Mark Hudson, Ringo Starr
  2. Aug 27, 2021 · For his return to the studio, he enlisted a number of guest musicians including Paul McCartney, George Harrison, Brian Wilson, Tom Petty, Joe Walsh, Steven Tyler, Alanis Morissette, and Ozzy Osbourne. The majority of Vertical Man was written by Starr, Steve Dudas, Mark Hudson, and Dean Grakal, and The Roundheads were the core backing band.

  3. Jun 16, 1998 · About “Vertical Man”. “Vertical Man” Q&A. When did Ringo Starr release Vertical Man? Album Credits. Featuring Alanis Morissette & Steven Tyler. Producers Mark Hudson & Ringo Starr....

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  5. Apr 1, 1998 · Like some of his best-loved projects, Starr would engage the help of many of his musician friends in making Vertical Man, including Scott Weiland, Brian Wilson, Alanis Morissette, Ozzy Osbourne, Tom Petty, Joe Walsh, Timothy B. Schmit, Steven Tyler, and former-Beatles, Paul McCartney and George Harrison. Beatles engineer Geoff Emerick mixed the ...

  6. Jul 9, 1998 · Is the album called Vertical Man because, after some of your lost years, ... Some of the guests on the record, like Steven Tyler and Joe Walsh, have been through their own recoveries – is ...

  7. If you enjoy starr-gazing, you’ll spot Aerosmith’s Steven Tyler playing harmonica on a straight cover of “Love Me Do,” Joe Walsh adding a dark guitar solo to “Mindfield,” Alanis Morissette’s voice spicing up “I Was Walkin’,” and a couple of lads name Paul and George popping in from time to time.

  8. Apr 23, 2023 · Vertical Man feels right. Ringo, Mark Hudson, Steve Dudas and Dean Grakal write most of the songs; not the Fab Four exactly, but far better than seeing Diane Warren’s name pop up for the umpteenth time. As for the production, it’s a mix of vintage Beatles and XTC, with mellotrons and tablas in moderation.

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