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  1. What is known is that the artist gifted a group of the drawings and paintings to the sitter, including a self -portrait that the young man had asked Somov to make for him. The images that seem certain to be portrayals of the artist's young muse were completed between 1930 and 1937. Portrait of Boris Snejkovsky, 1930.

  2. Konstantin Andreyevich Somov ( Russian: Константин Андреевич Сомов; November 30 [ O.S. November 18] 1869 – May 6, 1939) [1] was a Russian artist associated with the Mir iskusstva ("World of Art") movement that began in the last decade of the 19th century. After the Russian Revolution, he eventually emigrated to Paris ...

    • Le Livre de la Marquise (1907-1919); The Rainbow (1927); The Boxer (1933)
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  4. Oct 28, 2022 · Boris Mikhailov: Ukrainian Diary,” which opened recently at the Maison Européenne de la Photographie (M.E.P.) in Paris, is the biggest show of his life and — to spell it out — arrives as ...

  5. Media in category "Portraits of Boris Snezhkovsky by Konstantin Somov" The following 6 files are in this category, out of 6 total. A Reclining Man.jpg 512 × 430; 56 KB

  6. I haven't been able to gather much information* on Somov's model: Boris Mikhailovich Snejkovsky was born 23 July 1910, in Odessa. His father was a ship captain with the Russian Volunteer Fleet. At the time of the Revolution, seven-year-old Boris and his mother traveled the entire breadth of the country - from Odessa to Vladivostok - to rejoin ...

  7. Jun 22, 2020 · In the 1920s, Konstantin Somov moved to Paris. During this time, he made the acquaintance of Boris Snejkovsky who became the main model for Somov’s male nude paintings during the 1930s. In the Fall of 1929, Somov received a commission to paint illustrations for Longus’ novel, Daphnis and Chloe based on a Greek legend of two adolescents in ...

  8. For more than 40 years, Boris Mikhailov has used photography to document and come to grips with the turmoil of life under the Soviets, and after the Soviets. In this heavy-weight retrospective book, we are able to trace both Mikhailovs personal history as well as the evolving photographic techniques he used in so many ways in his efforts to ...

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