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Key People: Erwin Piscator. Bertolt Brecht. Related Topics: theatre. Living Newspaper. Lehrstück. epic theatre, form of didactic drama presenting a series of loosely connected scenes that avoid illusion and often interrupt the story line to address the audience directly with analysis, argument, or documentation.
alienation effect, idea central to the dramatic theory of the German dramatist-director Bertolt Brecht. It involves the use of techniques designed to distance the audience from emotional involvement in the play through jolting reminders of the artificiality of the theatrical performance.
Set design for a production of Brecht's Mother Courage and Her Children, featuring a large scene-setting caption Polen ("Poland") above the stage. The distancing effect, also translated as alienation effect (German: Verfremdungseffekt or V-Effekt), is a concept in performing arts credited to German playwright Bertolt Brecht.
Dec 13, 2022 · “Verfremdung”, pronounced “fair-frem-doong”, is a German word used by Bertolt Brecht that lies at the very heart of his theories on epic theatre. In practice, he called it “verfremdungseffekt”. The term has variously been translated as “alienation effect”, “distancing effect” and “estrangement effect”.
Techniques. Verfremdungseffekt. While not invented by Brecht, the Verfremdungseffekt, known in English as the "estrangement effect" or the "alienation effect", was made popular by Brecht and is one of the most significant characteristics of epic theatre.
Nov 7, 2012 · Brecht’s theatrical practice and his dramaturgical techniques can thus be said to coalesce into a general pattern: the composite Brecht stage, an ideal division of theatrical space that theoretically houses the fullness of Brecht’s theatrical discourse by separating it into its constituent elements.
The Theatre of Bertolt Brecht: Theory and Practice. Ronald Speirs. Chapter. 77 Accesses. Part of the book series: Insights ( (ISI)) Abstract. Brecht’s theory and practice of theatre changed considerably during his career.
