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- Electric Chicago Blues was developed in the late '40s and early '50s, taking what was essentially Delta blues, amplifying it, and putting it into a small-band context. Taking the basic guitar and harmonica lineup and fortifying it with drums, bass, and piano (sometimes saxophones), the form created what we now know as the standard blues band.
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Electric Chicago Blues. Electric Chicago Blues was developed in the late '40s and early '50s, taking what was essentially Delta blues, amplifying it, and putting it into a small-band context. Taking the basic guitar and harmonica lineup and fortifying it with drums, bass, and piano (sometimes saxophones), the form created what we now know as ...
Stylistic origins. Delta blues. electric blues. Cultural origins. 20th century, Chicago, U.S. Chicago blues is a form of blues music that developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but is performed in an urban style. It developed alongside the Great Migration of African Americans of the first half ...
- 20th century, Chicago, U.S.
- Baby Face Leroy Trio – Rollin’ And Tumblin’ With its polyphonic moaning and humming and its deliriously repetitive riffs, this recording has been described by some critics and scholars as a throwback to the ring shouts enacted by black slaves as rituals of connectedness and celebration.
- Muddy Waters – Hoochie Coochie Man. McKinley Morganfield, also known as Muddy Waters, was inspired to learn guitar as a teenager in Mississippi after seeing Clarksdale Delta blues pioneer Son House play bottleneck slide.
- Howlin’ Wolf – Smokestack Lightnin’ Chester Burnett cut an imposing figure in the Chicago blues clubs of the 50s, being 6ft 3in tall, weighing 275lbs and possessing one of the most extraordinary voices in music – a rasping, ferocious, yet haunting and soulful howl that had earned him the name Howlin’ Wolf.
- Little Walter – Juke. Marion Walter Jacobs, known professionally as Little Walter, revolutionised blues harmonica playing as surely as Jimi Hendrix revolutionised electric guitar.
Little Walter, Sonny Boy Williamson (Rice Miller) and Big Walter Horton were among the best-known harmonica (called "blues harp" by blues musicians) players of the early Chicago blues scene and the sound of electric instruments and harmonica is often seen as characteristic of electric Chicago blues.
