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  1. The 10 Essential British Film Noirs. British noir is a neglected but fascinating sub-genre of cinema. Check out these films and find out why. You can read my article on British noir...

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    • Michael Bartlett
  2. Oct 3, 2013 · It is a brutal screen version of his 1998 novel about Edinburgh's own bad lieutenant: Detective Sergeant Bruce Robinson, an alcoholic, cokehead bully who is having animal-themed hallucinations.

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  4. en.wikipedia.org › wiki › FelthamFeltham - Wikipedia

    Feltham ( / ˈfɛltəm /) is a town in West London, England, 13 miles (21 km) from Charing Cross. Historically part of Middlesex, it became part of the London Borough of Hounslow in 1965. The parliamentary constituency of Feltham and Heston has been held by Labour Party MPs since 1992. In 2011, the population of the combined census area of ...

  5. 7.3 (6.8K) Rate. In Brighton in 1935, small-time gang leader Pinkie Brown murders a journalist and later desperately tries to cover his tracks but runs into trouble with the police, a few witnesses, and a rival gang. Director John Boulting Stars Richard Attenborough Hermione Baddeley William Hartnell. 3.

  6. British noir. International noir. Classic-period crossover films. See also. References. External links. List of film noir titles. Films by genre. Action. Adventure. Animation. Stop motion. Avant-garde. Biographical. Children and family. Comedy. Crime. Disaster. Documentary. Drama. Economics. Erotic. Fantasy. Horror. Natural horror.

  7. en.wikipedia.org › wiki › Film_noirFilm noir - Wikipedia

    Nicholas Christopher, Somewhere in the Night (1997) While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Foster Hirsch defines a genre as determined by "conventions of narrative structure, characterization, theme, and visual design." Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in ...

  8. Apr 6, 2016 · This frothy comedy noir was directed by Frenchman, Edmond T Greville, who was less interested in its story of a journalist threatened by hoodlums than in using that story as the basis for an exercice de style, deploying a barrage of silent movie effects – all cigarette smoke and mirrors – and Hitchcockian motifs – a fur stole unravelling ...

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