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- The field, as it is currently named, emerged in the 1950s, but ethnomusicology originated as “comparative musicology” in the late 19th century. Linked to the 19th-century European focus on nationalism, comparative musicology emerged as a project of documenting the different musical features of diverse regions of the world.
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History of ethnomusicology. Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component.
Ethnomusicology and Western music. Early in the history of the field of ethnomusicology, there was debate as to whether ethnomusicological work could be done on the music of Western society, or whether its focus was exclusively toward non-Western music.
Ethnomusicology is the study of music within a cultural context. Explore the history of ethnomusicology, definition, research questions, methods, and ethical concerns.
Ethnomusicology, field of scholarship that encompasses the study of all world musics from various perspectives. It is defined either as the comparative study of musical systems and cultures or as the anthropological study of music. Although the field had antecedents in the 18th and early 19th.
In the 1920s, Herzog, as a student of Erich M. von Hornbostel and Franz Boas, merged European comparative musicology and American anthropology into what is now called ethnomusicology, that is, the study of music as a vital aspect of human culture and social life.
Jun 30, 2021 · The historical legacies of ethnomusicology and anthropology in connecting us as scholars to BIPOC (Black, Indigenous, People of Colour) communities and ‘the Global South’, despite the colonialist underpinnings, provide us with a unique opportunity, particularly at this time, to highlight the value of the music, languages and cultures of ...
Initially in the early 20th century the focus of ethnomusicologists was the study of contemporary non-Western music. In contrast to music historians, ethno-musicologists – at that time still addressed as comparative musicologists – re-corded and studied living music.
