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Jean Harlow filmography. Jean Harlow (March 3, 1911 – June 7, 1937) was an American actress who made her uncredited debut in two 1928 films: Honor Bound for Fox Film; and Moran of the Marines for Paramount Pictures. While waiting for a friend at the studio in 1928, she was discovered by studio executives who gave her letters of introduction ...
Nov 13, 2009 · On June 7, 1937, Hollywood is shocked to learn of the sudden and tragic death of the actress Jean Harlow, who succumbs to uremic poisoning (now better known as acute renal failure, or acute...
Jean Harlow. Actress: China Seas. Harlean Carpenter, who later became Jean Harlow, was born in Kansas City, Missouri, on March 3, 1911. She was the daughter of a successful dentist and his wife. In 1927, at the age of 16, she ran away from home to marry a young businessman named Charles McGrew, who was 23.
Jean Harlow. Actress: China Seas. Harlean Carpenter, who later became Jean Harlow, was born in Kansas City, Missouri, on March 3, 1911. She was the daughter of a successful dentist and his wife. In 1927, at the age of 16, she ran away from home to marry a young businessman named Charles McGrew, who was 23.
Jean Harlow (born Harlean Harlow Carpenter; March 3, 1911—June 7, 1937) was an American actress and sex symbol of the 1930s. Harlow was born on September 27, 1927 in Kansas City, Missouri. She studied at Miss Barstow's Finishing School for Girls in Kansas City. Harlow was married to Charles McGrew in 1927. They divorced in 1930.
Biography. Before the days of Madonna and Marilyn Monroe, the “Original Blonde Bombshell” made her mark on Hollywood and the world, leaving behind a new image of the Hollywood sex goddess. Harlean Carpenter, later known as Jean Harlow, was born on March 3, 1911 in Kansas City, Missouri. Although she would sadly only live to age 26, Jean ...
Jean Harlow (born Harlean Harlow Carpenter; March 3, 1911 – June 7, 1937) was an American actress. Known for her portrayal of "bad girl" characters, she was the leading sex symbol of the early 1930s and one of the defining figures of the pre-Code era of American cinema.
