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Star Trek: Discovery season 2. Star Trek: Discovery. season 2. The second season of the American television series Star Trek: Discovery is set a decade before Star Trek: The Original Series in the 23rd century and follows the crew of the starship Discovery.
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Mar 21, 2016 · Below is a complete index with links to the Season Two episodes: Season 2, Episode 1 – The Richest Man in Walnut Grove. Season 2, Episode 2 – Four Eyes. Season 2, Episode 3 – Ebenezer Sprague. Season 2, Episode 4 – In The Big Inning. Season 2, Episode 5 – Haunted House. Season 2, Episode 6 – The Spring Dance.
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Aug 4, 2019 · Star Trek: Discovery - Episode Guide - Season 2. August 04, 2019 01207.3 – Discovery, 01207.3 – Discovery. Star Trek: Discovery has had its detractors from its debut straight through to the season 5 series ender. But the success of Discovery in terms of effect on the franchise cannot be denied. Like The Original Series and The Next ...
- Overview
- Background information
- Reception
- Credits
- See also
- External links
Real world article
(written from a Production point of view)
•Even before Star Trek: Discovery started to be released, Aaron Harberts was already hopeful that this season could tie up some of the loose ends of continuity as regards how the series related to the rest of the Star Trek franchise, thereby answering inevitable questions about that aspect of the show. "What I hope happens is […] [in the] second season, we'll start creating our own slice of it," he said, "so that we're adding to canon in our way, and those questions come up less and less."
•In this, Harberts had to an extent already undone the emphatic statement his colleague Akiva Goldsman later made at the October 2017 New York Comic Con, shortly after the series had premiered, that "(…)Discovery will exist within its own universe," and while "[w]e are wildly aware of everything that appears to be a deviation from canon and we will close out all of those issues before they arrive at the 10-year period and hit The Original Series," adding that "Discovery viewers will never see Spock". The apparently premature second season introduction of Christopher Pike and his ship and crew (including Spock) after all, was therefore indicative of the producers' reconsideration of their position in the wake of fan criticism regarding canon/(Roddenberry) philosophy/(visual) continuity issues, conceded as such at a later point in time by co-creator, show runner and Executive Producer Alex Kurtzman himself in his 2019 podcast interview (see: below).
•Harberts also expressed hope that this season might include many episodes which Goldsman would direct.
•On 23 October 2017, it was announced that the series had been renewed for a second season.
•Filming for Season 2 began on 16 April 2018, with Shazad Latif stating that he would begin filming in May 2018.
•It was originally reported that Season 2 would have two fewer episodes than Season 1, but Anson Mount revealed on 8 December 2018 that an additional episode had been added.
The critical review site Rotten Tomatoes has given the second season of Discovery a score of 81%, with an average rating of 7.32 out of 10, similar to the score for the preceding season. However, it has also recorded a worsening audience score of 36%, with an average rating of 2.33 out of 5, indicative of the developing rift between critics and viewers/fans growing even stronger after Season 1. Unlike with that initial season, Rotten Tomatoes' audience findings were not corroborated for this season by the customer reviews on Amazon.com, which showed a substantially higher audience rating of 3.8 out of 5, as well as a higher rough 70/30 like/dislike divide within the viewership/fanbase itself.
On the other hand, the critical review site Metacritic did corroborate Rotten Tomatoes' critical findings by quoting the equal 73% critics' rating score for the second season – against Tomatoes' 73.2% average rating – and also reported a similar viewership rating of 5.3 out of 10, with the like/dislike divide showing a rough 52/48 split, a very slight improvement over the first season.
What both Amazon and Metacritic had in common though, was that the from season one carried over like/dislike divide remained rather sharp in all reported cases, with fans pitted against each other at either end of the spectrum with very few positioned in the middle. The what Kurtzman had hereafter called "course-correct" had not resulted in the hoped-for improvement of the series' overall perception by fans.
Exemplary of the deep fan divide was the one-minute homage clip initially made for the Apple TV+ app and also featured in a Carpool Karaoke episode (Season 2, Episode 11, 31 January 2019) in which the uniform-clad primary cast of Discovery were singing a song (adapted from a song featured in the musical Rent) on the bridge set, profusely thanking the "nerds" – "nerds" being emphasized with flashy, sing-along captions – for keeping the franchise alive for all these decades. As reactions to this presumably well-meant clip have shown, Discovery fans loved the homage, whereas the critical fans took offense, considering it a derogatory slur – and an intentional one at that, in their opinion. The clip has not been included in any of the special features of the later released second season home video formats.
After the second season had concluded its run, showrunner Alex Kurtzman did concede the fan base split in a 17 June 2019 Deadline podcast, though he endeavored to put a positive spin on it by stating that "(…) if you are at a 50/50 split, then you're doing well. It's when you're at 90/10 then you're in real trouble." In the same podcast Kurtzman concurrently added, "I can definitely start by saying that I have, and this isn't just lip service, I actually...the fan's point of view has become necessary for me, because the fans have kept Trek alive for fifty-three years. And the internet has now made it possible for me in real time to know how people are receiving our choices and as you're writing you can suddenly course-correct you know." In this, Kurtzman – who reiterated his stance almost ad verbatim one year later to Space.com – distanced himself from the "Old Guard" racial/gender bias assumptions critics put forward after the conclusion of season one, but rather addressed concerns those fans had with what they perceived as canon/(Roddenberry) philosophy/continuity violations, something only a handful of critics actually touched upon, though simultaneously maintaining that, in their opinion, white male racial/gender bigotry was still the actual root cause. Kurtzman referred to the "course-correct" again when he made the later released remark, "We make huge moves in the [second season] finale. So both synchronize with canon and then free ourselves from it". (DIS Season 2 Blu-ray-special feature, "Putting It Together") He thereby confirmed in his closing remark that Goldsman's aforementioned "arrival" at The Original Series was definitively off the table, something that had already been implied in the Star Trek: Short Treks season one episode "Calypso", which streamed two months before the second season of Discovery did.
Even though the producers had bowed in to the fan's concerns about the series, fans remained sharply divided in their opinions of the series proper as not only evidenced by the ratings and Kurtzman's concession, but also by the impromptu polls organized on several Star Trek (fan) websites, among others those on the reference website Ex Astris Scientia. However, fans were by and large unanimous in their praise for the Original Series characters introduction, Anson Mount's Christopher Pike in particular, which infused the series with some, what they deemed, much needed Star Trek spirit, in no small measure due to the way Mount played the role. Kurtzman had actually implied at the end of season one that the introduction of the Original Series characters had from the very start been part of his master plan all along, when he stated in AT: "Will You Take My Hand?" that, "(…)the whole season was reverse-engineered knowing really at the beginning where we wanted to end," contridicting not only his own, later made "course-correct" statement, but also his producer collegues. Mount's Christopher Pike was so well received that at least two separate online fan petitions were organized for his very own Star Trek series, with several petition signers in their motivations to do so, preferring it to become a replacement for Discovery altogether.
Starring
Sonequa Martin-Green as Michael Burnham Doug Jones as Saru Anthony Rapp as Paul Stamets Mary Wiseman as Sylvia Tilly ("Brother"–"Perpetual Infinity", "Such Sweet Sorrow", "Such Sweet Sorrow, Part 2") Wilson Cruz as Hugh Culber ("Brother", "Saints of Imperfection"–"The Sounds of Thunder", "If Memory Serves", "The Red Angel", "Through the Valley of Shadows"–"Such Sweet Sorrow, Part 2") Shazad Latif as Ash Tyler ("Point of Light", "Saints of Imperfection"–"If Memory Serves", "The Red Angel"–"Such Sweet Sorrow, Part 2") And\tAnson Mount as Christopher Pike
Crew
Casting by\tMargery Simkin, CSA Orly Sitowitz, CSA Music and Theme by\tJeff Russo Costume Designer\tGersha Phillips Visual Effects Supervisor\tJason Zimmerman Edited by\tJon Dudkowski, ACE ("Brother", "An Obol for Charon", "Light and Shadows", "The Red Angel", "Such Sweet Sorrow") Scott Gamzon, ACE ("New Eden", "Saints of Imperfection", "If Memory Serves", "Perpetual Infinity") Andrew Coutts, CCE ("Point of Light", "The Sounds of Thunder", "Project Daedalus", "Through the Valley of Shadows", "Such Sweet Sorrow, Part 2") Matthew Kovach ("The Red Angel") John Mullin ("Perpetual Infinity") Production Designer\tTamara Deverell Director of Photography\tGlen Keenan, CSC ("Brother", "Point of Light", "Saints of Imperfection", "Light and Shadows", "Project Daedalus", "Perpetual Infinity", "Such Sweet Sorrow", "Such Sweet Sorrow, Part 2") Colin Hoult, CSC ("New Eden", "An Obol for Charon") Philip Lanyon ("The Sounds of Thunder") Tico Poulakakis, CSC ("If Memory Serves", "The Red Angel", "Through the Valley of Shadows") Co-Producers\tBo Yeon Kim Erika Lippoldt Producers\tAlan McElroy April Nocifora Produced by\tThom J. Pretak Consulting Producer\tDan Dworkin ("Light and Shadows"–"Such Sweet Sorrow, Part 2") Jay Beattie ("Light and Shadows"–"Such Sweet Sorrow, Part 2") Akiva Goldsman Co-Executive Producers\tAndrew Colville Jenny Lumet Jordon Nardino ("Brother"–"Saints of Imperfection") Michelle Paradise ("An Obol for Charon"–"Such Sweet Sorrow, Part 2") Ted Sullivan Vaun Wilmott ("Brother"–"Light and Shadows") Aaron Baiers Executive Producers\tOlatunde Osunsanmi Frank Siracusa John Weber Eugene Roddenberry Trevor Roth James Duff ("Light and Shadows"–"Such Sweet Sorrow, Part 2") Heather Kadin Gretchen J. Berg ("Brother"–"The Sounds of Thunder") Aaron Harberts ("Brother"–"The Sounds of Thunder") Alex Kurtzman Based Upon Star Trek Created by\tGene Roddenberry Created by\tBryan Fuller Alex Kurtzman Supervising Associate Producer\tDana N. Wilson Associate Producer\tEmma Sampson Robyn Johnson ("Light and Shadows"–"Such Sweet Sorrow, Part 2") Production Managers\tDavid Till B.E. Sharp First Assistant Director\tWoody Sidarous ("Brother", "Saints of Imperfection", "If Memory Serves", "Perpetual Infinity") Patrick Tidy ("New Eden", "An Obol for Charon", "Light and Shadows", "The Red Angel", "Such Sweet Sorrow"–"Such Sweet Sorrow, Part 2") Felix Gray ("Point of Light", "The Sound of Thunder", "Project Daedalus", "Through the Valley of Shadows") Second Assistant Director\tBen Marrello ("Brother", "Saints of Imperfection", "Perpetual Infinity") Jeff Muhsoldt ("New Eden", "An Obol for Charon", "Light and Shadows", "The Red Angel", "Such Sweet Sorrow"–"Such Sweet Sorrow, Part 2") Shannon Hawes ("Point of Light", "The Sound of Thunder", "Project Daedalus", "Through the Valley of Shadows") Sara Macdonald ("If Memory Serves") Executive Story Editor\tKirsten Beyer Story Editor\tSean Cochran Executive Consultant\tBryan Fuller Canadian Casting by\tLisa Parasyn, CSA Jon Comerford, CSA Original Star Trek Theme by\tAlexander Courage Set Decorator\tPeter Nicolakakos Property Master\tMario Moreira Supervising Art Director\tJoshu De Cartier Art Directors\tMatt Middleton Jody Clement First Assistant Art Directors – Motion Graphics\tTimothy Peel Stephanie Chris Matthew Harris Nicola Rose ("Brother"–"Saints of Imperfection") Alex Melvin ("An Obol for Charon"–"Such Sweet Sorrow, Part 2") Jane Stevens ("Such Sweet Sorrow"–"Such Sweet Sorrow, Part 2") First Assistant Art Directors – Graphics\tAndy Tsang Kristin Herbst ("Through the Valley of Shadows"–"Such Sweet Sorrow, Part 2") First Assistant Art Directors – Illustration\tChris Penna Joelle Craven ("Such Sweet Sorrow"–"Such Sweet Sorrow, Part 2") First Assistant Art Director – Illustrator (Costumes)\tBartol Rendulic ("Brother") First Assistant Art Directors – Set Design\tMichael Stanek Hayley Isaacs John Kim ("Brother"–"The Red Angel") Matt Morgan Dan Norton ("Brother", "Point of Light"–"An Obol for Charon") Emilie Poulin Shirin Rashid Monica Navarrette Itsuko Kurono ("Brother"–"Point of Light") Robert Emery ("Brother"–"New Eden") James Usas ("Brother"–"New Eden") Third Assistant Directors\tRoss Vivian Brooke Fifield Script Supervisor\tR. Emerson John ("Brother"–"New Eden") Angela Mastronardi ("Point of Light", "Saints of Imperfection"–"Such Sweet Sorrow, Part 2") Tammy Rae Beltrami ("An Obol for Charon") A Camera Operator\tFrancois Daignault B Camera Operator\tJP Locherer Sound Mixer\tAo Loo Boom Operator\tSean Armstrong Casting Associate\tGina Gallego Canadian Casting Assistants\tEmily Johnston Sara Dang ("New Eden"–"An Obol for Charon") Meghan Maguire ("Saints of Imperfection"–"Such Sweet Sorrow, Part 2") Location Manager\tTim Owen ("Brother", "Point of Light", "Saints of Imperfection", "Light and Shadows", "Project Daedalus", "Perpetual Infinity", "Such Sweet Sorrow"–"Such Sweet Sorrow, Part 2") Melissa Warry-Smith ("New Eden", "An Obol for Charon", "The Sound of Thunder", "If Memory Serves", "The Red Angel", "Through the Valley of Shadows") Assistant Location Manager\tJustin Cossette ("New Eden"–"Such Sweet Sorrow, Part 2") Studio Manager\tTom Nicholls ("Brother") Robert Jones ("New Eden"–"Such Sweet Sorrow, Part 2") Assistant Studio Manager\tTom Nicholls ("New Eden"–"Such Sweet Sorrow, Part 2") Location Production Assistants\tRamin Radnik Dan Potter ("Brother"–"Saints of Imperfection") Josh Campbell ("The Sound of Thunder"–"Such Sweet Sorrow, Part 2") Costume Supervisor\tKaren Lee Assistant Costume Designers\tCarly Nicodemo Sydney Cavanaugh ("Brother"–"If Memory Serves") Kim Harkness ("Project Daedalus"–"Such Sweet Sorrow, Part 2") Daina Valiulis ("Brother", "Point of Light"–"Such Sweet Sorrow, Part 2") Lead Creature Designer\tNeville Page Department Head Make-Up\tShauna Llewellyn Department Head Hair\tSandy Sokolowski Make-Up Effects Department Heads\tGlenn Hetrick James MacKinnon Prosthetic Makeup Special Effects and Specialty Armor Designed and Created by\tGlenn Hetrick and Neville Page's Alchemy Studios Production Accountant\tJoanne Barrington First Assistant Accountants – General\tRose Lister Tim Hay First Assistant Accountants – Payroll\tMelanie Foley Jesse Rupert First Assistant Accountant – Construction\tEmily Halfon Second Assistant Accountants\tRebecca Pearson Vanna Roopchand Lighting Design by\tFranco Tata First Company Grip\tRobert Daprato 1st Assistant A Camera\tAndrew Stretch 1st Assistant B Camera\tRob Mountjoy 1st Assistant C Camera\tAndrew Macklin 2nd Assistant A Camera\tStephen Gould Digital Imaging Technician\tRon Schlueter Production Coordinator\tAlison Waxman Script Coordinator\tDan Hindmarch First Assistant Production Coordinators\tAllison Lahav Taylor Danton Second Assistant Production Coordinator\tLaura Miles Office Production Assistants\tChris Stiebel Tom Fitzpatrick Kevin Hazlehurst Storyboard Artist\tRob McCallum First Assistant Art Director – Concepts\tLucas Wareing ("Brother", "An Obol for Charon") First Assistant Art Directors\tJane Stoiacico ("Brother") Tijana Petrovic ("Brother") Digital Asset Manager\tJames Jarvis Art Department Coordinators\tTaylor Flook Cassidy Watkins ("An Obol for Charon"–"Such Sweet Sorrow, Part 2") Jennifer Jozwiak ("New Eden"–"Point of Light", "Saints of Imperfection"–"Such Sweet Sorrow, Part 2") Stunt Coordinator\tChristopher McGuire Fight Coordinator\tHubert Boorder Special Effects Coordinator\tDarcy Callaghan Special Effects Key\tMike Kavanagh ("Brother"–"Light and Shadows") Lead Dressers\tJesse O'Connor ("If Memory Serves"–"Such Sweet Sorrow, Part 2") Matt Ceolin ("If Memory Serves"–"Project Daedalus") Mark Pellar ("Brother"–"Light and Shadows") Chris Deeley ("Point of Light"–"Perpetual Infinity") Yuri Shevts ("Through the Valley of Shadows"–"Such Sweet Sorrow, Part 2") Contact Lens Supervisor\tMandy Ketcheson Key Scenic\tJason Kirk Head Painters\tTim Campbell Clinton Guitard On Set Painter\tGregory Aquila Construction Coordinator\tMarc Kuitenbrouwer Head Carpenter\tTraceley Young On Set Carpenter\tPeter Constantenides Transportation Coordinator\tRob Davis Transportation Captain\tAndrew Langevin Transportation Co-Captain\tCraig Dwyer VFX Supervisor\tAnte Dekovic VFX Producer\tAleksandra Kochoska VFX Lead Artist\tCharles Collyer Lead VFX Coordinator\tJulie Rothfarb VFX Coordinators\tShawn Ewashko Chelsea Wynne Valeria Rocha Julian Boice ("The Red Angel"–"Such Sweet Sorrow, Part 2") VFX Plate Supervisor\tAlex Wood Associate VFX Supervisor\tMahmoud Rahnama ("Brother"–"New Eden", "Light and Shadows"–"Such Sweet Sorrow, Part 2") VFX Previs Supervisor\tStephen J. Pavelski ("Brother"–"New Eden", "Light and Shadows"–"Such Sweet Sorrow, Part 2") Additional Editing by\tJohn Mullin ("New Eden", "Saints of Imperfection") Assistant Editor\tMatthew Kovach ("Brother", "An Obol for Charon", "Light and Shadows", "Such Sweet Sorrow") Corey Trench ("Point of Light", "The Sound of Thunder") Preston Rapp ("The Sound of Thunder", "Project Daedalus", "Through the Valley of Shadows", "Such Sweet Sorrow, Part 2") John Mullin ("If Memory Serves") VFX Editors\tJason Sikora Greg Minihan ("Perpetual Infinity"–"Such Sweet Sorrow, Part 2") VFX Assistant Editors\tKevin Laneave ("Brother"–"Saints of Imperfection") Greg Minihan ("Brother"–"The Red Angel") Post Production Coordinator\tRuben Michael Molina Post Production Assistant\tRyan Miles ("Brother"–"Light and Shadows") Researcher\tAnthony Maranville Assistants to the Writers\tChris Silvestri Brandon Schultz Eamon Hartnett ("The Red Angel"–"Such Sweet Sorrow, Part 2") Dialect Coach\tRea Nolan Additional Dialect Coach\tJeffrey Simlett Translator\tRobyn Stewart Kelpien Language Consultant\tMarc Okrand ("The Sound of Thunder") Craft Services\tStar Grazing Inc. Servers\tDarlene Ibbitson Monica Madden On Set Caterers\tGourmet Catering Assistants to A. Kurtzman\tRobyn Johnson ("Brother"–"The Sound of Thunder") May Darmon ("Brother"–"If Memory Serves") Monica Shapiro ("New Eden"–"Such Sweet Sorrow, Part 2") T'Essence Minnitee ("Project Daedalus"–"Such Sweet Sorrow, Part 2") Assistant to G. Berg and A. Harberts\tChris Danby ("Brother"–"The Sound of Thunder") Assistant to J. Duff\tChris Danby ("Light and Shadows"–"Such Sweet Sorrow, Part 2") Assistant to H. Kadin\tMegan Talmidge Assistant to A. Baiers\tKristen Gross Executive Assistant Toronto\tCornelia Audrey Writer's PA\tEamon Hartnett ("Saints of Imperfection"–"Project Daedalus") Ryan Miles ("If Memory Serves"–"Such Sweet Sorrow, Part 2") Sound Services by\tWarner Bros. Post Production Creative Services Sound Supervisor\tMatthew E. Taylor Sound Designer\tTim Farrell Re-Recording Mixers\tAlexander Gruzdev Brad Sherman Mix Tech\tBrad Bell Sound Effects Editor\tMichael Schapiro ("Brother"–"Perpetual Infinity") Sound Editors\tMichael Schapiro ("Through the Valley of Shadows"–"Such Sweet Sorrow, Part 2") Clayton Weber ("Through the Valley of Shadows"–"Such Sweet Sorrow, Part 2") Dan Kenyon ("Such Sweet Sorrow, Part 2") Dialogue Editors\tRobert Jackson ("The Red Angel"–"Such Sweet Sorrow, Part 2") Sean Heissinger ("Brother"–"Project Daedalus", "Through the Valley of Shadows", "Such Sweet Sorrow, Part 2") Foley Editor\tTravis Crotts ("Through the Valley of Shadows"–"Such Sweet Sorrow, Part 2") Rickley Dumm ("Such Sweet Sorrow, Part 2") Foley Artists\tHilda Hodges ("Brother", "The Sound of Thunder") Alyson Moore ("New Eden"–"Saints of Imperfection", "Light and Shadows"–"Project Daedalus", "Through the Valley of Shadows"–"Such Sweet Sorrow, Part 2") Alyson Dee Moore ("The Red Angel"–"Perpetual Infinity") Chris Moriana Patricia Nedd ("The Red Angel") Foley Mixer\tJohn Sanacore, MPSE, C.A.S. ("Brother"–"Project Daedalus", "Perpetual Infinity"–"Such Sweet Sorrow, Part 2") Kyle Rochlin ("The Red Angel") Sound Assistant Editors\tDeron Street Damon Cohoon ("New Eden"–"Such Sweet Sorrow, Part 2") Music Editor\tMatt Decker Score Engineer and Mixer\tMichael Perfitt Scoring Assistant\tPerrine Virgile Orchestrator\tAmie Doherty MIDI Tech\tTracie Turnbull Score Wrangler\tMatea Prljevic Camera, Lenses, and Post Production Services by\tSIM SIM Supervising Producer\tByron Smith SIM Online Editor\tChad Cole Final Colorist\tTodd Bochner Editing Systems\tPacific Post Grip and Lighting Equipment by\tSim Lighting and Grip Main Title Design by\tPrologue Visual Effects by\tPixomondo Crafty Apes Ghost VFX ("Brother"–"Perpetual Infinity", "Such Sweet Sorrow, Part 2") FX3X ("Brother", "An Obol for Charon"–"The Red Angel", "Through the Valley of Shadows"–"Such Sweet Sorrow, Part 2"") Spin VFX ("An Obol for Charon", "The Sound of Thunder", "If Memory Serves"–"Such Sweet Sorrow") Filmworks FX ("Saints of Imperfection", "Light and Shadows") CBS Digital ("Saints of Imperfection", "The Red Angel") Double Negative ("Project Daedalus") Produced with the Participation of the\tCanadian Production Services Tax Credit Secret Hideout Roddenberry Entertainment CBS All Access Originals CBS Television Studios Netflix
Uncredited
•Nicola Bendrey – Special Makeup Effects Artist (Emmy Award winner) •Chris Bridges – Additional Makeup Effects Artist (Emmy Award winner) •Rocky Faulkner – Special Makeup Effects Artist (Emmy Award winner) •Michael O'Brien – Prosthetic Designe: Alchemy Studios (Emmy Award winner) •Erin Palmer – Rigging Electric
•Star Trek: Discovery season 2 at Memory Beta, the wiki for licensed Star Trek works
•Star Trek Discovery Season 2 episode reviews at Ex Astris Scientia
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The series follows the crew of the starship Discovery beginning a decade before Star Trek: The Original Series in the 23rd century. At the end of the second season, they travel to the 32nd century which is the setting for subsequent seasons. A final 10-episode fifth season premiered in April 2024. As of May 2, 2024, 61 episodes of Star Trek ...
Star Trek: Discovery. Star Trek: Discovery is an American science fiction television series created by Bryan Fuller and Alex Kurtzman for the streaming service CBS All Access (later rebranded as Paramount+ ). It is the seventh Star Trek series and debuted in 2017. The series follows the crew of the starship Discovery beginning a decade before ...
