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Sep 30, 2016 · Still Life: Le Jour, Braque. Braque famously worked alongside Pablo Picasso as the two developed the new style of cubism around 1910. This painting is typical of a later phase in Braque’s career, when he incorporated elements of cubism into still lifes and other subjects.
Still Life le Jour is a Cubist Oil on Canvas Painting created by Georges Braque in 1929. It lives at the National Gallery of Art, Washington in the United States. The image is used according to Educational Fair Use, and tagged Still Life and Synthetic Cubism. See Still Life le Jour in the Kaleidoscope.
- Summary of Georges Braque
- Accomplishments
- Biography of Georges Braque
Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still lifes and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picassoand their Cubist works are best known, Braque had a long painting career that con...
Though Braque started out as a member of the Fauves, he began developing a Cubist style after meeting Pablo Picasso. While their paintings shared many similarities in palette, style and subject mat...Braque sought balance and harmony in his compositions, especially through papier collés, a pasted paper collage technique that Picasso and Braque invented in 1912. Braque, however, took collage one...Braque stenciled letters onto paintings, blended pigments with sand, and copied wood grain and marble to achieve great levels of dimension in his paintings. His depictions of still lifes are so abs...Childhood
Georges Braque was guided from a young age toward creative painting techniques. His father managed a decorative painting business and Braque's interest in texture and tactility perhaps came from working with him as a decorator. In 1899, at age seventeen, Braque moved from Argenteuil into Paris, accompanied by friends Othon Friesz and Raoul Dufy.
Early Training
Braque's earliest paintings were made in the Fauvist style. From 1902-1905, after giving up work as a decorator to pursue painting full-time he pursued Fauvist ideas and coordinated with Henri Matisse. He contributed his colorful Fauvist paintings to his first exhibition at the Salon des Independants in 1906. However, he was extremely affected by a visit to Pablo Picasso's studio in 1907, to see Picasso's breakthrough work - Les Demoiselles d'Avignon. After this encounter, the two artists for...
Mature Period
Braque and Picasso worked in synchronicity until Braque's return from war in 1914. When Picasso began to paint figuratively (joining what is known as Interwar Classicism), Braque felt his friend had betrayed their Cubist systems and rules, and continued on his own. However, he continued to remain influenced by Picasso's work, especially in regards to papier collés, a collage technique pioneered by both artists using only pasted paper. His collages featured geometric shapes interrupted by musi...
- French
- May 13, 1882
- Argenteuil, France
- August 31, 1963
May 13, 2013 · Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Still Life with "Le Jour"’ was created in 1929 by Georges Braque in Synthetic Cubism style. Find more prominent pieces of still life at Wikiart.org – best visual art database.
Georges Braque (/ b r ɑː k, b r æ k / BRA(H)K, French: [ʒɔʁʒ bʁak]; 13 May 1882 – 31 August 1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism.
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Artist: Georges Braque (French, Argenteuil 1882–1963 Paris) Date: 1929. Medium: Oil on canvas. Dimensions: 9 1/2 x 16 1/8 in. (24.1 x 41 cm) Classification: Paintings. Credit Line: Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967. Accession Number: 67.187.57. Rights and Reproduction: © 2024 Artists Rights Society (ARS), New York.
