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Mike Sturgis is an American drummer, having played for the band 21 Guns [1] and later with Iron Maiden guitarist Adrian Smith in Psycho Motel, where he played on both State of Mind (1996) and Welcome to the World (1997) albums. He was also the drummer for Wishbone Ash between 1995 and 1997 and drummer for Asia between 1994 and 2001.
Jan 29, 2016 · Sturgis is the longstanding drummer of the Funkestra and is without a doubt the rock-solid backbone of the band. His timing, groove and feel are a vital part the Funkestra sound, and he has continued to develop and adapt his approach to the art of funky drumming to suit the changing needs of the band over the years.
Sturgis was head of drums at the Academy of Contemporary Music in Guildford for 13 years. He is currently the head of education at DIME Online. Sturgis currently lives in England with his wife and two children. He played with Wishbone Ash on some dates of their 2021 UK tour. Mike Sturgis is an American drummer, having played for the band 21 ...
Nov 27, 2023 · Mike Sturgis is an American drummer, having played for the band 21 Guns [1] and later with Iron Maiden guitarist Adrian Smith in Psycho Motel, where he played on both State of Mind (1996) and Welcome to the World (1997) albums. He was also the drummer for Wishbone Ash between 1995 and 1997 and drummer for Asia between 1994 and 2001.
Mike Stugis: The American drummer based in London. Published in the CR Mag 44. Wednesday 1st April 1998. Tweet. Currently the drummer with Wishbone Ash and having worked with such diverse figures as A-Ha, Asia and Noel Richards, MIKE STURGIS is a music biz veteran. He spoke to Mark Chatterton.
Mike Sturgis is a drummer who attended the University of Miami from 1982 to 1986. He toured with Bob James, playing his brand of jazz. He did various session work with such artists as Asia, Nina Hagen,… Read Full Biography
About. “I’m not flattering him (Mike Sturgis) when I say that he is the man – quite simply my favourite drummer to play with…his groove is so big and fat and utterly there that is acts like a small planet, pulling your own notes into its centre through some sort of rhythmic gravity.”. (Pete Langman, Slender Threads p.
