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Michelangelo Buonarroti's La Madonna della Pietà in Saint Peter's Basilica, 1498–1499. Pontifically crowned by Pope Urban VIII in 1637. The Pietà ( Italian pronunciation: [pjeˈta] ; meaning " pity ", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from ...
Pietà, as a theme in Christian art, depiction of the Virgin Mary supporting the body of the dead Christ. Some representations of the Pietà include John the Apostle, Mary Magdalene, and sometimes other figures on either side of the Virgin, but the great majority show only Mary and her Son.
Aug 22, 2012 · Michelangelo’s Pieta – ItalianRenaissance.org. Michelangelo, Pieta, c. 1498-1500, marble. Michelangelo carved a number of works in Florence during his time with the Medici, but in the 1490s he left Florence and briefly went to Venice, Bologna, and then to Rome, where he lived from 1496-1501.
La Pieta. Michelangelo 15th Century. Scan The World. London. The Pietà (1498–1499) is a world-famous work of Renaissance sculpture by Michelangelo Buonarroti, housed in St. Peter's...
Oct 21, 2019 · Crafted in the late 15th century, the Pietà remains one of the most beloved sculptures in the world. Here, we take a look at this piece in order to understand how its iconography, history, and artistic characteristics have shaped such an important legacy. What is a “Pietà”? Photo: The Metropolitan Museum of Art Public Domain.
Dec 6, 2023 · Michelangelo, Pietà, marble, 1498–1500 (Saint Peter’s Basilica, Rome) The Pietà was a popular subject among northern european artists. It means “Pity” or “Compassion,” and represents Mary sorrowfully contemplating the dead body of her son which she holds on her lap.
Michelangelo, Vatican Pietà, detail. The theme of the Pietà, “pity” or “piety” in Latin, depicts a moment immediately after the crucifixion, similar to The Lamentation or The Deposition. However, the Pietà is unique in its focus on the Virgin Mary holding her dead son.
