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21st-century art movement
- Post-Internet is a 21st-century art movement involving works that are derived from the Internet or its effects on aesthetics, culture and society.
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Post-Internet is a 21st-century art movement [1] involving works that are derived from the Internet or its effects on aesthetics, culture and society. [2] Definition. Post-Internet is a loosely-defined term [1] that was coined by artist/curator Marisa Olson in an attempt to describe her practice. [3] .
Mar 18, 2014 · Another artist associated with the post-Internet label, Oliver Laric makes work concerned with the Internet-wrought phenomenon of collective authorship and the effacement of the distinction between the real and the fake. In his videos and image-based pieces, Laric displays material he finds online as his own work and invites others to remix ...
Post-Internet is a loose descriptor for works of art that are derived from the Internet as well as the internet's effects on aesthetics, culture and society. It is a broad term with many associations and has been heavily criticized.
Oct 29, 2015 · Oct 29, 2015 8:18AM. The proliferation of “post-” as a prefix for contemporary art terms (e.g. Post-Impressionism, Postmodernism, Postminimalism, Post-painterly Abstraction) has now spread to the digital realm, with derivatives including “post-analog,” “postdigital,” and “post-internet.”
In the context of artistic practice, post-internet describes an art object created with a consciousness of the networks within which it exists—from conception and production to...
Post-Internet refers to a current trend in art and criticism concerned with the impact of the Internet on art and culture. Taking cues from the understanding of Postmodernism as a reaction to or rejection of Modernism, post-Internet does not imply a time “after” the Internet but rather a time “about” the Internet.
Jul 6, 2015 · 6 Jul 2015. Post-Internet Art: You’ll Know It When You See It. What is the ‘Post-Internet’—a faceful of virtual candyfloss or a thriving discourse around how the digital context is changing the meaning of art and images? Gary Zhexi Zhang goes in search of the art world’s New Big Thing and finds himself asking a further question—is it over already?
