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Jul 1, 2023 · St. John was one of the original twelve apostles 1 and has been traditionally taken to be the author of the fourth gospel. Thus he is always in images of the four evangelists and of the apostles as a group. When he is among the evangelists or apostles an eagle may be used as his attribute ( example ) or as a symbol representing him ( example ...
John the Evangelist [a] is the name traditionally given to the author of the Gospel of John. Christians have traditionally identified him with John the Apostle, John of Patmos, and John the Presbyter, [2] although this has been disputed by most modern scholars. [3]
- Eagle, Chalice, Scrolls
- c. AD 100
- Between c. AD 6–9
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Saint John the Evangelist was one of the few allegorical sculptures that Thomas Ball made in his life. It was a private commission that Ball agreed to do partly because of his own deep religious faith. The idealized style and white marble present him as a holy, inspired man. Ball took great pride in this statue because his friend Hiram Powers ...
The panels of Saints John the Baptist and John the Evangelist—both of which belonged to the art historian-dealer Herbert Horne in Florence prior to 1920—would, like the other three components of the altarpiece, also have been crowned with pairs of half-length figures, two of which have been tentatively identified by Gaudenz Freuler (1997 ...
Overview. According to legend, John the Evangelist was exiled by the emperor Domitian to the Greek island of Patmos, where he wrote the Book of Revelation. Titian shows the saint as if on the peak of a mountain, reacting in awe and astonishment to the voice of God (“I heard behind me a great voice, as of a trumpet. . . .
Saint John the Evangelist. The youthful saint is shown with his attribute, an eagle. This small appliqué was undoubtedly conceived as one of four, along with Matthew, Mark, and Luke-the other authors of the Gospels. Such small busts are commonly encountered in ivory or precious metal adorning the arms of a crucifix or, as is likely in this ...
Carved almost in the round, this figure and that of John the Evangelist to the right of the door originally flanked a sculpture of Christ on the cross. The group was probably installed on a beam that spanned the width of a church choir.
