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      • Still-life painting. The painting generally considered to be the first still life is a work by the Italian painter Jacopo de’Barbari painted 1504. The “golden age” of still-life painting occurred in the Lowlands during the 17th century.
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  2. Aug 20, 2018 · History . Although paintings of objects have been in existence since ancient Egypt and Greece, still life painting as a unique art form originated in post-Renaissance Western art. In ancient Egypt, people painted objects and food in tombs and temples as offerings to the gods and for the dead to enjoy in the afterlife.

  3. Apr 18, 2017 · The still life has witnessed a transformative and interesting evolution from the bottom of the hierarchy of artistic genres – its subjects not considered important enough by humanists to be worth painting – to the magnificent Dutch Golden Age still lifes, which arose under a protestant spirit that deemed every part of God’s creation worth depicting.

  4. Jul 26, 2017 · Still life art dates as far back as the Middle Ages and the Greco-Roman era. However, the most famous still life paintings emerged in Western painting during the late 16th century. The genre peaked with Netherlandish painting during the 16th and 17th centuries. In fact, the English term still life derives from the Dutch word ‘stilleven’.

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  5. Still-life painting as an independent genre or specialty first flourished in the Netherlands during the early 1600s, although German and French painters (for example, Georg Flegel and Sebastian Stoskopff; 21.152.1, 2002.68) were also early participants in the development, and less continuous traditions of Italian and Spanish still-life painting date from the same period.

  6. Still-life painting, depiction of inanimate objects for the sake of their qualities of form, colour, texture, and composition.Although decorative fresco murals and mosaics with still-life subjects occasionally appeared in antiquity, it was not until the Renaissance that still life emerged as an independent painting genre, rather than existing primarily as a subsidiary element in a composition.

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