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  1. Still life - Wikipedia

    en.wikipedia.org › wiki › Still_life

    A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art ...

  2. Francisco de Zurbarán - Wikipedia

    en.wikipedia.org › wiki › Francisco_de_Zurbarán

    Francisco de Zurbarán ( / ˌzʊərbəˈrɑːn / ZOOR-bə-RAHN, Spanish: [fɾanˈθisko ðe θuɾβaˈɾan]; baptized 7 November 1598 – 27 August 1664) was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname "Spanish Caravaggio ", owing ...

    • 27 August 1664 (aged 65), Madrid, Spain
    • Spanish
  3. Ralf Metzenmacher - Wikipedia

    en.wikipedia.org › wiki › Ralf_Metzenmacher

    Retro-Art, Pop art, Still life. Ralf Metzenmacher (July 26, 1964 – August 3, 2020) was a German painter and designer. He was an exponent and pioneer of Retro-Art, a synthesis between art and product design. Metzenmacher saw his Retro-Art technique as a revitalization of 17th century still life painting and as a further development of Pop art .

  4. Henri Matisse - Wikipedia

    en.wikipedia.org › wiki › Henri_Matisse
    • Early Life and Education
    • Fauvism
    • Selected Works: Paris, 1901–1910
    • Sculpture
    • Gertrude Stein, Académie Matisse, and The Cone Sisters
    • After Paris
    • War Years
    • Final Years
    • Legacy
    • Nazi-Looted Art

    Matisse was born in Le Cateau-Cambrésis, in the Nord department in Northern France, the oldest son of a wealthy grain merchant. He grew up in Bohain-en-Vermandois, Picardie, France. In 1887, he went to Paris to study law, working as a court administrator in Le Cateau-Cambrésis after gaining his qualification. He first started to paint in 1889, after his mother brought him art supplies during a period of convalescence following an attack of appendicitis. He discovered "a kind of paradise" as he later described it,and decided to become an artist, deeply disappointing his father. In 1891, he returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau and Gustave Moreau. Initially he painted still lifes and landscapes in a traditional style, at which he achieved reasonable proficiency. Matisse was influenced by the works of earlier masters such as Jean-Baptiste-Siméon Chardin, Nicolas Poussin, and Antoine Watteau, as well as by modern artists...

    Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year, he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905, he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillismin a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colour...

    Luxembourg Gardens, 1901, Hermitage Museum, St. Petersburg, Russia
    Dishes and Fruit, 1901, Hermitage Museum, St. Petersburg, Russia
    A Glimpse of Notre-Dame in the Late Afternoon, 1902, Albright–Knox Art Gallery, Buffalo, New York
    Nu (Carmelita), 1904, Museum of Fine Arts, Boston
    Henri Matisse, 1900–1904, Le Serf (The Serf, Der Sklave), bronze
    Henri Matisse, 1905, Sleep, wood, exhibition Blue Rose (Голубая Роза), 1907, location unknown
    Henri Matisse, 1906–07, Nu couché, I (Reclining Nude, I), bronze, exhibited at Montross Gallery, New York, 1915
    Henri Matisse, 1907, Awakening, plaster, exhibition Salon of the Golden Fleece (Салон Золотого Руна) 1908

    Around April 1906, he met Pablo Picasso, who was 11 years younger than Matisse. The two became lifelong friends as well as rivals and are often compared. One key difference between them is that Matisse drew and painted from nature, while Picasso was more inclined to work from imagination. The subjects painted most frequently by both artists were women and still lifes, with Matisse more likely to place his figures in fully realised interiors. Matisse and Picasso were first brought together at the Paris salon of Gertrude Stein with her companion Alice B. Toklas. During the first decade of the twentieth century, the Americans in Paris—Gertrude Stein, her brothers Leo Stein, Michael Stein, and Michael's wife Sarah—were important collectors and supporters of Matisse's paintings. In addition, Gertrude Stein's two American friends from Baltimore, the Cone sisters Claribel and Etta, became major patrons of Matisse and Picasso, collecting hundreds of their paintings and drawings. The Cone co...

    In 1917, Matisse relocated to Cimiez on the French Riviera, a suburb of the city of Nice. His work of the decade or so following this relocation shows a relaxation and softening of his approach. This "return to order" is characteristic of much post-World War I art, and can be compared with the neoclassicism of Picasso and Stravinsky as well as the return to traditionalism of Derain.Matisse's orientalist odalisquepaintings are characteristic of the period; while this work was popular, some contemporary critics found it shallow and decorative. In the late 1920s, Matisse once again engaged in active collaborations with other artists. He worked with not only Frenchmen, Dutch, Germans, and Spaniards, but also a few Americans and recent American immigrants. After 1930, a new vigor and bolder simplification appeared in his work. American art collector Albert C. Barnes convinced Matisse to produce a large mural for the Barnes Foundation, The Dance II, which was completed in 1932; the Founda...

    Matisse's wife Amélie, who suspected that he was having an affair with her young Russian emigre companion, Lydia Delectorskaya, ended their 41-year marriage in July 1939, dividing their possessions equally between them. Delectorskaya attempted suicide by shooting herself in the chest; remarkably, she survived with no serious after-effects, and instead returned to Matisse and worked with him for the rest of his life, running his household, paying the bills, typing his correspondence, keeping meticulous records, assisting in the studio and coordinating his business affairs. Matisse was visiting Paris when the Nazis invaded France in June 1940 but managed to make his way back to Nice. His son, Pierre, by then a gallery owner in New York, begged him to flee while he could. Matisse was about to embark for Brazil to escape the Occupation but changed his mind and remained in Nice, in Vichy France. "It seemed to me as if I would be deserting," he wrote Pierre in September 1940. "If everyone...

    Cut-outs

    Diagnosed with abdominal cancer in 1941, Matisse underwent surgery that left him chair- and bedbound. Painting and sculpture had become physical challenges, so he turned to a new type of medium. With the help of his assistants, he began creating cut paper collages, or decoupage. He would cut sheets of paper, pre-painted with gouacheby his assistants, into shapes of varying colours and sizes, and arrange them to form lively compositions. Initially, these pieces were modest in size, but eventua...

    Chapel and museum

    In 1948, Matisse began to prepare designs for the Chapelle du Rosaire de Vence, which allowed him to expand this technique within a truly decorative context. The experience of designing the chapel windows, chasubles, and tabernacle door—all planned using the cut-out method—had the effect of consolidating the medium as his primary focus. Finishing his last painting in 1951 (and final sculpture the year before), Matisse utilized the paper cut-out as his sole medium for expression up until his d...

    The first painting of Matisse acquired by a public collection was Still Life with Geraniums (1910), exhibited in the Pinakothek der Moderne. His The Plum Blossoms (1948) was purchased on 8 September 2005 for the Museum of Modern Art by Henry Kravis and the new president of the museum, Marie-Josée Drouin. Estimated price was US$25 million. Previously, it had not been seen by the public since 1970. In 2002, a Matisse sculpture, Reclining Nude I (Dawn),sold for US$9.2 million, a record for a sculpture by the artist. Matisse's daughter Marguerite often aided Matisse scholars with insights about his working methods and his works. She died in 1982 while compiling a catalogue of her father's work. Matisse's son Pierre Matisse (1900–1989) opened a modern art gallery in New York City during the 1930s. The Pierre Matisse Gallery, which was active from 1931 until 1989, represented and exhibited many European artists and a few Americans and Canadians in New York often for the first time. He exh...

    Numerous artworks by Matisse were seized by the Nazis or looted from Jewish collectors or changed hands in forced sales during the Nazi years. In the past twenty years, several artworks by Matisse have been restituted to the heirs of their pre-Third Reich owners, including Le Mur Rose, from France's Pompidou Museum to the heirs of Henry Fuld, "Femme Assise", discovered in the stash of Hildebrand Gurlitt's son in Munich, La vallée de la Stour, which had belonged to Anna Jaffé, found in the La Chaux-de-Fonds Museumand many others. The German Lost Art Foundation lists 38 artworks by Matisse in the Lost Art Internet Database.

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  6. John Stuart Ingle - 7 artworks - painting

    www.wikiart.org › en › john-stuart-ingle

    John Stuart Ingle (1933 - October 30, 2010) was an American contemporary realist artist, known for his meticulously rendered watercolor paintings, typically still lifes. Some criticism has characterized Ingle's work as a kind of magic realism. Ingle was born in Indiana and died, aged 77, in Minnesota.

    • Evansville, Indiana, United States
    • October 30, 2010
    • 1933
  7. File:Childe Hassam - 'Still Life with Peaches and Old Glass ...

    commons.wikimedia.org › wiki › File:Childe_Hassam

    Apr 11, 2015 · The author died in 1935, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.

  8. Osias Beert or Osias Beert the Elder (c. 1580 – 1623/24) was a Flemish painter active in Antwerp who played an important role in the early development of flower and "breakfast"-type still lifes as independent genres in Northern European art. He has been recognized as one of the most influential artists of the earliest generation of still life ...

    • Antwerp, Belgium
    • 1624
    • 1580
  9. painting - WikiArt.org - Visual Art Encyclopedia

    www.wikiart.org › en › samuel-peploe

    Peploe's 1905 painting Still Life with Coffee Pot, sold on 26 May 2011 at Christie's in London for £937,250, is one of the most expensive Scottish painting sold at auction – the most expensive being Peter Doig's White Canoe which sold for 11 million. The previous record for a work by Peploe was £623,650 for Tulips, sold in 2010.

  10. Giorgio Morandi Still Life Paintings: An Overview and ...

    www.art-is-fun.com › giorgio-morandi-still-life

    Giorgio Morandi Still Life. Giorgio Morandi is Italy's most famous 20th century still life painter. He lived from 1890 - 1964 and is most remembered and renowned for his extensive body of still life paintings (called natura morta in Italian).

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