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Sep 8, 2021 · This is what transcription does in all circumstances. Creating a visual representation of the music – whether it is intended to allow the transcriber and reader to engage with the music more actively or to perform complex analyses – serves as an aid to processing and understanding the notator’s experience of the music.
Mar 7, 2019 · Transcription and Transnotation in Ethnomusicology - Volume 16. To save this article to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account.
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What is ethnomusicological transcription?
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The transcription practices used for indigenous musics in the settler states part of North America evolved drastically over time. Some of the earliest transcriptions of indigenous music were done by French music scholars during the 17th century. These tended to be in western styles, leaving out details that could not be adequately portrayed by ...
Jul 16, 2023 · Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component.
Peripheral within ethnomusicology until the late 1970s, when ethnomusicology took a humanistic turn, and ethical considerations such as “giving back” and partnerships with musical communities became normal ethnomusicological practice, applied ethnomusicology moved from a marginal activity to its current place as a significant sub-discipline.
Aug 25, 2021 · Practice research as translational ethnomusicology. One can claim as an ethnomusicologist that ‘learning to perform’ an already established research methodology of traditional music, whether at home or elsewhere in the world, is adding new knowledge or insights where practice is not the object of study but a methodology that informs the social and cultural.
transcription has come into question and its ubiquity in ethnomusicological writing has waned somewhat.21 In response to the critiques raised as a result of these developments, transcription has found its defence in the very subjectivity that is the source of the criticism: a person ‘will perceive and transcribe music as culture, or
