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  1. Sep 8, 2021 · Notating Deconstruction: What Can Ethnomusicological Transcription Learn from the Notational Practices of Contemporary Composers? Published online by Cambridge University Press: 26 August 2021. MATTHEW WARREN. Article. Figures. Metrics. Save PDF. Cite. Rights & Permissions. Abstract.

  2. transcription—will be briefly covered. Students will be expected to: --listen critically. --read all weekly assigned readings during the week they are assigned. --participate actively in class discussion. --write critical reviews of selected readings and present them orally in class. --deliver oral responses to selected readings in class.

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  4. Jul 16, 2023 · Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component.

  5. Mar 7, 2019 · Avigdor Herzog. Article. Metrics. Get access. Extract. The problems of transcription and transnotation in ethnomusicology are especially important in Israel today because the concentration of so many different ethnic groups has led to increased research in their various folk musics.

  6. With contributions from a number of key figures in Ethnomusicology and related disciplines, this volume explores Ethnomusicology’s shifting relationship to other disciplines and to its own ‘mythic’ history, and plots a range of potential developments for its future.

    • Sidney Monteiro
  7. 20 The post-1964 literature on transcription in ethnomusicology and popular music studies is immense but, more than 20 years after its publication, Ter Ellingson’s comprehensive book chapter ‘Transcription’ (in Ethnomusicology: An Introduction, ed. Helen Myers (New York: W.W. Norton & Company, 1993), 110–52) remains the single most useful

  8. In this paper, we propose and carry out a user study on evaluating the usefulness of automatic music transcription in the context of ethnomusicology. As part of the study, we recruited 16 participants who were asked to transcribe short musical excerpts either from scratch or using the output of an AMT system as a basis.

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