Search results
Sep 8, 2021 · This is what transcription does in all circumstances. Creating a visual representation of the music – whether it is intended to allow the transcriber and reader to engage with the music more actively or to perform complex analyses – serves as an aid to processing and understanding the notator’s experience of the music.
- Research Questions
- History
- Key Theories/Concepts
- Methods
- Ethical Considerations
- Sources
Ethnomusicologists study a wide range of topics and musical practices throughout the world. It is sometimes described as the study of non-Western music or “world music,” as opposed to musicology, which studies Western European classical music. However, the field is defined more by its research methods (i.e., ethnography, or immersive fieldwork with...
The field, as it is currently named, emerged in the 1950s, but ethnomusicology originated as “comparative musicology” in the late 19th century. Linked to the 19th-century European focus on nationalism, comparative musicology emerged as a project of documenting the different musical features of diverse regions of the world. The field of musicology w...
Ethnomusicology takes as given the notion that music can provide meaningful insight into a larger culture or group of people. Another foundational concept is cultural relativismand the idea that no culture/music is inherently more valuable or better than another. Ethnomusicologists avoid assigning value judgments like “good” or “bad” to musical pra...
Ethnography is the method that most distinguishes ethnomusicology from historical musicology, which largely entails doing archival research (examining texts). Ethnography involves conducting research with people, namely musicians, to understand their role within their larger culture, how they make music, and what meanings they assign to music, amon...
There are a number of ethical issues ethnomusicologists consider in the course of their research, and most relate to the representation of musical practices that are not “their own.” Ethnomusicologists are tasked with representing and disseminating, in their publications and public presentations, the music of a group of people who may not have the ...
Barz, Gregory F., and Timothy J. Cooley, editors. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. Oxford University Press, 1997.Myers, Helen. Ethnomusicology: An Introduction. W.W. Norton & Company, 1992.Nettl, Bruno. The Study of Ethnomusicology: Thirty-three Discussions. 3rded., University of Illinois Press, 2015.Nettl, Bruno, and Philip V. Bohlman, editors. Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. University of Chicago Press, 1991.People also ask
What is ethnomusicology anthropology?
What is ethnomusicological transcription?
Is a perceptual transcription a phenomenology of listening to music?
When did applied ethnomusicology become a sub-discipline?
Peripheral within ethnomusicology until the late 1970s, when ethnomusicology took a humanistic turn, and ethical considerations such as “giving back” and partnerships with musical communities became normal ethnomusicological practice, applied ethnomusicology moved from a marginal activity to its current place as a significant sub-discipline.
7.5 Genetic Code 7.6 Translation 7.7 Gene Mutation 7.8 DNA Repair 7.9 Recombination 7.10 Regulation of Gene Expression. 7.1 DNA A. s. T. he. G. eNeTic. M. ATeriAl. You have studied in previous chapter that characters or traits are inherited from parents to offspring through . genes. You are also aware that these genes are present
- 7MB
- 53
Mar 7, 2019 · The problems of transcription and transnotation in ethnomusicology are especially important in Israel today because the concentration of so many different ethnic groups has led to increased research in their various folk musics.
Jul 16, 2023 · Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component.
6.5 Transcription 6.6 Genetic Code 6.7 Translation 6.8 Regulation of Gene Expression 6.9 Human Genome Pr oject 6.10 DNA Fingerprinting In the previous chapter , you have lear nt the inheritance patterns and the genetic basis of such patterns. At the time of Mendel, the nature of those ‘factors’ regulating the pattern of inheritance was not ...
