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Sep 8, 2021 · This is what transcription does in all circumstances. Creating a visual representation of the music – whether it is intended to allow the transcriber and reader to engage with the music more actively or to perform complex analyses – serves as an aid to processing and understanding the notator’s experience of the music.
study on evaluating the usefulness of automatic music tran-scription in the context of ethnomusicology. As part of the study, we recruited 16 participants who were asked to tran-scribe short musical excerpts either from scratch or using the output of an AMT system as a basis. We collect and an-alyze quantitative measures such as transcription ...
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Fig. 1 shows an example automatic transcription produced using ScoreCloud, compared with a reference and a study participant transcription. Following the study, a short conversation with participants took place, in order to obtain qualitative feedback as well as information on their experience with automated tools for the task.
- Emmanouil Benetos
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Ethnomusicologists study a wide range of topics and musical practices throughout the world. It is sometimes described as the study of non-Western music or “world music,” as opposed to musicology, which studies Western European classical music. However, the field is defined more by its research methods (i.e., ethnography, or immersive fieldwork with...
The field, as it is currently named, emerged in the 1950s, but ethnomusicology originated as “comparative musicology” in the late 19th century. Linked to the 19th-century European focus on nationalism, comparative musicology emerged as a project of documenting the different musical features of diverse regions of the world. The field of musicology w...
Ethnomusicology takes as given the notion that music can provide meaningful insight into a larger culture or group of people. Another foundational concept is cultural relativismand the idea that no culture/music is inherently more valuable or better than another. Ethnomusicologists avoid assigning value judgments like “good” or “bad” to musical pra...
Ethnography is the method that most distinguishes ethnomusicology from historical musicology, which largely entails doing archival research (examining texts). Ethnography involves conducting research with people, namely musicians, to understand their role within their larger culture, how they make music, and what meanings they assign to music, amon...
There are a number of ethical issues ethnomusicologists consider in the course of their research, and most relate to the representation of musical practices that are not “their own.” Ethnomusicologists are tasked with representing and disseminating, in their publications and public presentations, the music of a group of people who may not have the ...
Barz, Gregory F., and Timothy J. Cooley, editors. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. Oxford University Press, 1997.Myers, Helen. Ethnomusicology: An Introduction. W.W. Norton & Company, 1992.Nettl, Bruno. The Study of Ethnomusicology: Thirty-three Discussions. 3rded., University of Illinois Press, 2015.Nettl, Bruno, and Philip V. Bohlman, editors. Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. University of Chicago Press, 1991.Mar 1, 2014 · Introduction Fifty years ago, in September 1964, the journal of a young Society for Ethnomusicology published the ‘Symposium on Transcription and Analysis: A Hukwe Song with Musical Bow’, a text that has since become a cornerstone within the ethnomusicological corpus. Drawn from a session organized by Nicholas M. England for SEM’s November 1963 annual conference, the Symposium was built ...
The capture dates from 2020; you can also visit the original URL. The file type is application/pdf . Converting an acoustic music signal into music notation using a computer program has been at the forefront of music information research for several decades, as a task referred to as automatic music transcription (AMT).
Peripheral within ethnomusicology until the late 1970s, when ethnomusicology took a humanistic turn, and ethical considerations such as “giving back” and partnerships with musical communities became normal ethnomusicological practice, applied ethnomusicology moved from a marginal activity to its current place as a significant sub-discipline.
