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  1. People also ask

    What is West Coast hip hop?

    What is West Coast music?

    Who are the West Coast hip hop artists?

    What is the history of hip hop?

  2. West Coast hip hop - Wikipedia

    en.wikipedia.org/wiki/West_Coast_hip_hop

    West Coast hip hop is a regional genre of hip hop music that encompasses any artists or music that originated in the West Coast region of the United States. West Coast Hip-Hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of G-Funk and the emergence of record labels such as Suge Knight and Dr Dre's Death Row Records, Ice Cube's Lench Mob ...

  3. West Coast? East Coast? Hip Hop Explained

    music.tutsplus.com/articles/west-coast-east...
    • A Brief History Lesson
    • Musical Elements
    • Regional Breakdown
    • Wrap-Up

    As it was originally known, hip hop was a movement in New York City in the late 1970s and early 1980s. It revolved around four key areas: MCing (now known as rapping), DJing, graffiti art and b-boying (breakdancing). While all four areas were important, the two that we will focus on are MCing and DJing, as they have the most relevance to both to audio and hip hop. Hip hop’s roots come from a DJ scratching a record to create a looped beat while an MC raps along to the beat. While much has changed over the years, the essential idea of rapping to a looped beat is still the foundation for most hip hop songs. Many music producers still follow these old techniques, loading up an old soul record and creating a new track. However, hip hop advanced beyond this in 1983 when Afrika Bambaataa and the Soulsonic Force began using synthesizers and drum machines to create entirely new tracks. Excerpt from Afrika Bambaataa - Lookin' For The Perfect Beat While there is much that took place along with...

    In hip hop, there is remarkable freedom when making music. However, there are some fundamental elements that are found in nearly every hip hop song. The first, and far-and-away most important element is drums. The drums lay the foundation for the track, and give the artist a rhythm to work with. Many of the top producers have their own drum libraries that they swear by, giving them their unique sound. Producers such as Timbaland, and The Neptunes are famous for their unorthodox drum sounds and rhythms. Excerpt from Snoop Dogg - Drop It Like It's Hot The second most important part of hip hop is the use of loops. As with much of popular music (as opposed to classical music), the both musical components and structural elements are looped or repeated in patterns, giving hip hop a coherent feel. This is quite important, and it’s the main reason that sampling works with hip hop so well. Taking a previous song, using turntables or a sampler to take a piece from that song, and then replayin...

    East Coast is probably the hardest to broadly define these days, as the underground movement in NYC is still quite prominent, and they rely largely on sampling. Much of their music is produced using an MPC. As far as more popular sound goes, they definitely aim far more for up tempo, more dance style tracks. Excerpt from Marco Polo - Nostalgia South is all about two things. The first, is dirty south style music, relying heavily on horns and snare rolls. This style of music is probably best heard through artists like Young Jeezy, giving the music a slow, southern drawl. Excerpt from Young Jeezy - Put On The second style from the south is the simple club song. Differing from East Coast sound, the South’s club sound is much more simplistic, and usually has a certain dance that is meant to be associated with it. Songs like “Walk it Out”, “2 Step”, “Crank Dat”, etc, show this style. Excerpt from Unk - Walk It Out The Midwest is more of a newcomer into the mainstream music scene for hip h...

    Wrapping up our overview of the hip hop genre, let’s summarize some key points: 1. Drums are important! If you spend most of your time on one part of the track, focus on your drums. There are many songs that don’t have anything but drums and vocals, so give them their due attention. 2. Looping is the backbone of hip hop. It gives the music a coherent feel and helps form your track. 3. Experiment with various instruments. There are many instruments out there, so don’t just stick to the same ones for each track. While I didn’t mention this above, it’s also important to note that the less dynamic your rapper (or singer) is, the more you will probably have to compensate with instrumentation. For example, if you have a singer (or a rapper and a singer) for a track, odds are you can skimp on the instrumentals, as the singing will add most of the flavor to your track. However, if you only have a rapper, whose vocals are somewhat dry, you’ll have to add more instrumentation to make the song...

  4. West Coast Hip-Hop Pack by TwoCatsGang | AudioJungle

    audiojungle.net/item/west-coast-hiphop-pack/22522364

    This sound comes from the 90’s, here the legendary guitar muted, the piano in the style of Dr. Dre, the vital violin stoccato, real hip hop drums that are perfect for Low Rider theme, and as the most significant sound in the west coast of music gangsta whine funky synths, there are also horn brass to create a motivation in the end.

    • Hip-Hop
    • $38 - $608
    • Twocatsgang
  5. What is the history of the west coast hip hop sound? - Quora

    www.quora.com/What-is-the-history-of-the-west...

    Aug 08, 2014 · There is definitely a West Coast hip hop sound, which differs from East Coast hip hop. Officially, the West Coast hip hop scene started in 1978 with the founding of Unique Entertainment.

  6. Black Octopus Sound presents West Coast Hip Hop, a sample pack dedicated to the the iconic sound of West Coast Hip Hop. A sure to be favorite in every hip hop producers arsenal, this pack captures the full essence of West Coast Hip Hop. Inside you will find a huge selection of nitty gritty west coast keys, dirty drum loops, g-funk bass loops ...

  7. Black Octopus West Coast Hip Hop WAV MiDi - r2rdownload

    r2rdownload.org/black-octopus-west-coast-hip-hop...

    Black Octopus West Coast Hip Hop WAV MiDi Size:993 MB. Black Octopus Sound presents West Coast Hip Hop, a sample pack dedicated to the the iconic sound of West Coast Hip Hop. A sure to be favorite in every hip hop producers arsenal, this pack captures the full essence of West Coast Hip Hop.

  8. West Coast Hip-Hop - Attack Magazine

    www.attackmagazine.com/.../west-coast-hip-hop
    • Step 1
    • Step 2
    • Step 3
    • Step 4
    • Step 5
    • Step 6

    The beat we’re constructing is relatively simple in terms of the pattern itself, but a few small tricks and clever techniques turn it into a rolling groove with a distinctive early 90s G-funk feel. This one’s all about sound design, clever sample layering and subtle timing. We start with the kick, which we’ve created by layering samples from a Boss DR-202 and a LinnDrum. Both are tuned to complement each other and provide the right balance of weight and punch for the beat. The DR-202 kick hits at a lower frequency for the thump and the Linn kick provides a nice snappy transient. We start by placing a kick on the first and third beat of each bar, then add hits on the off beats to help propel the groove. The exact position of these hits can be adjusted to taste. You can see in the screengrab that we’ve also randomised the timing of these kicks slightly to provide a more sloppy feel. You can experiment with small timing adjustments here to change the feel of the beat. Subtle velocity v...

    The clap follows a simple pattern, triggering on the second and fourth beat of each bar. The sound here is again a carefully crafted blend of multi-layered samples. We’ve used the humble DR-202 again, layered over the top of a clap from another affordable drum machine, the Akai XR10. A lot of cheap drum machines from the 90s have similar-sounding claps that have become a staple for west-coast hip-hop. At the other end of the affordability scale, LinnDrum claps also work very well.

    For the open hat, we turn to another cheap sample-based machine, this time the late-80s Alesis HR-16. Note how the open hat mirrors the kick and clap pattern: with just one exception, the open hat plays whenever the kick or clap are triggered. This is a common technique in certain styles of hip-hop and one which also works well for most broken beat styles. It’s an incredibly simple but effective way to tie the groove together, but it can also result in a rigid monotonous sound. To avoid that, the velocity of the open hat is varied throughout the pattern, maintaining interest and adding a subtle groove.

    The closed hat doesn’t provide as much character to the beat – instead of defining the sound, its job is simply to fill in the gaps between the open hats in order to keep the beat rolling on a steady groove. Any sample with a medium transient and a tight sound can work. You can see that it’s triggered on every 8th-note which doesn’t already have an open hat on it. The closed hat is buried quite low in the mix, leaving the focus on the kick, claps and open hat.

    The beat’s starting to take shape now but we want to add a little more human sloppiness. To achieve this we’ll take a tambourine sample and use it to mirror the clap pattern. Crucially, the tambourine is played with a very loose pattern, rushing ahead of the beat and giving the entire groove an even sloppier feel. You can achieve this by playing it in manually on a pad controller, or nudging individual hits off the grid until you arrive at a suitable sound.

    Finally, we can start thinking about additional percussion hits to help transition between sections of the arrangement. First off, we add a vibraslap sample on the first beat of the bar. This is a classic G-funk technique – think ‘Nothin But A G Thang’. For a slower beat or a more dramatic effect, try a sample with an even longer tail. It often sounds good to let the vibraslap continue ringing out for an entire bar or more. For a turnaround variation, we’ll use a selection of triangle samples. In this case we’ve edited and arranged three contrasting samples, which are again played with loose, sloppy timing. All that’s left now is to apply a little bus processing to the entire drum sub-mix. The exact approach will vary depending on the specific sound you’re looking for, but subtle compression and tape saturation tend to work well. To download the samples and MIDI pattern for this beat, click here. If you enjoyed this tutorial you might find our book ‘The Secrets of Dance Music Produc...

  9. West Coast Hip Hop - Samples & Loops - Splice Sounds

    splice.com/sounds/black-octopus/black-octopus...

    Black Octopus Sound presents West Coast Hip Hop, a sample pack dedicated to the the iconic sound of West Coast Hip Hop. A sure to be favorite in every hip hop producers arsenal, this pack captures the full essence of West Coast Hip Hop. Inside you will find a huge selection of nitty gritty west coast keys, dirty drum loops, g-funk bass loops ...

  10. West Coast Hip Hop WAV MiDi - Magesy ® | Magesy® PRO

    www.magesypro.com/west-coast-hip-hop-wav-midi

    Nov 28, 2018 · Black Octopus Sound presents West Coast Hip Hop, a sample pack dedicated to the the iconic sound of West Coast Hip Hop. A sure to be favorite in every hip hop producers arsenal, this pack captures the full essence of West Coast Hip Hop. Inside you will find a huge selection of nitty gritty west coast keys, dirty drum loops, g-funk bass loops ...

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