Search results
Ethnomusicology involves the study of all kinds of music from all over the world, using a variety of disciplinary perspectives. The Department of Ethnomusicology, the largest and first of its kind in a U.S. university, offers courses that cover the music of virtually every region of the world and of many ethnic groups in the U.S., as well as courses on popular music and film music. Most ...
Jun 2, 2015 · Paradoxically, this modern Western "people's ethnomusicology" rejects Soviet ethnomusicology that held music as belonging to people and reflecting the people, yet conducted its study in an ...
May 28, 2013 · Introduction. Questions concerning the social significance of music have a long history within the interdisciplinary field of ethnomusicology. The emergence of comparative musicology in Europe in the early 20th century, and of ethnomusicology subsequently in North America, generated topical distinctions between Western classical music and the music of “others,” with attendant distinctions ...
Peripheral within ethnomusicology until the late 1970s, when ethnomusicology took a humanistic turn, and ethical considerations such as “giving back” and partnerships with musical communities became normal ethnomusicological practice, applied ethnomusicology moved from a marginal activity to its current place as a significant sub-discipline.
Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component.
Following the pioneering biologist Jakob von Uexküll, we may say that animal experience takes place within the parameters of their umwelt, or the affordances that the environment offers to them; and that given the nature of their 6 Titon: Applying ethnomusicology: from the study of people making music to the study of beings making sound.
Feb 20, 2012 · In his earlier 1963 piece (a response to an article by Merriam on the purposes of ethnomusicology), Nettl proposes that ethnomusicology's uniqueness, and what it might usefully offer to other areas of music study, lies not in any distinct purpose (as suggested by Merriam) but in its techniques and approaches.
