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  1. Aug 25, 2021 · Practice research as translational ethnomusicology. One can claim as an ethnomusicologist that ‘learning to perform’ an already established research methodology of traditional music, whether at home or elsewhere in the world, is adding new knowledge or insights where practice is not the object of study but a methodology that informs the social and cultural.

    • Simon McKerrell
    • 2021
  2. Apr 25, 2024 · Fieldwork. These teaching and training guidelines provide practical advice and insights into the process of conducting a local-level field documentation project. These guides cover essential topics such as: project planning; research ethics from the perspectives of the fields of folklore, anthropology, ethnomusicology and museum studies; and ...

    • Maureen Russell
    • 2016
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  4. Ethnomusicology research consists of four main activities: interviews; participant-observation of musical events and community life; music and dance lessons; and audio and video recordings. To further their goal of understanding why and how humans are musical, ethnomusicologists, like other scholars, study in libraries, archives, and laboratories.

  5. Jun 30, 2021 · Abstract. Musical performances are at the heart of many significant cultural events and often represent and affirm distinct cultural identities. Ethnographic research on music thus provides an important lens through which to understand distinct cultural worlds. In this introductory article we consider the value of research on music—for the ...

    • Georgia Curran, Mahesh Radhakrishnan
    • 2021
  6. Jul 16, 2023 · Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component.

  7. Peripheral within ethnomusicology until the late 1970s, when ethnomusicology took a humanistic turn, and ethical considerations such as “giving back” and partnerships with musical communities became normal ethnomusicological practice, applied ethnomusicology moved from a marginal activity to its current place as a significant sub-discipline.

  8. The Division of Musicology and Ethnomusicology at any given moment has between 30 and 40 graduate students registered, roughly equally divided between majors in Historical Musicology and majors in Ethnomusicology. Approximately 35 to 40% of the students are at the Ph.D. dissertation stage, and a few of them are not resident in Austin while they ...

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