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    • Where did the term ethnomusicology come from in music?

      • The term ethnomusicology is said to have been coined by Jaap Kunst from the Greek words ἔθνος ( ethnos, "nation") and μουσική ( mousike, "music"), It is often defined as the anthropology or ethnography of music, or as musical anthropology.
  1. Dec 20, 2019 · The name change signaled another shift in the field: ethnomusicology moved away from studying the origins, evolution, and comparison of musical practices, and toward thinking of music as one of many human activities, like religion, language, and food. In short, the field became more anthropological.

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  2. These changes to the field's name paralleled its internal shifts in ideological and intellectual emphasis. [20] Comparative musicology, an initial term intended to differentiate what would become ethnomusicology and musicology, was the area of study concerned with utilizing methods of acoustics to measure pitches and intervals, quantitatively ...

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  4. Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component.

  5. Proposed a tripartite model for the study of ethnomusicology. Three analytic levels: conceptualization about music; behavior in relation to music; and the sound of music. Later amended his original concept of "music in culture" to "music as culture." Anthropological approach to music, as opposed to Mantle Hood. Jan 26, 1970.

  6. About Ethnomusicology. Ethnomusicology is the study of music in its social and cultural contexts. Ethnomusicologists examine music as a social process in order to understand not only what music is but what it means to its practitioners and audiences. Ethnomusicology is highly interdisciplinary. Individuals working in the field may have training ...

  7. implications for how ethnomusicology can apply to studying the role of song in Christian discipleship. Merriam: The Foundational Model Many authors credit Jaap Kunst (1955) as being the first to coin the word “Ethnomusicology.” 1 Yet the first to formulate an influencial theorectical framework for the newly named field was Alan Merriam.

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