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The name change signaled another shift in the field: ethnomusicology moved away from studying the origins, evolution, and comparison of musical practices, and toward thinking of music as one of many human activities, like religion, language, and food. In short, the field became more anthropological.
As you can see, the field of ethnomusicology changed its perspectives and its con ception of its tasks, even its name, substantially over the past 125 years. I could have given much more evidence. Can we who are in ethnomusicology claim that the field, as a whole?and not just in accumulating data on individual cultures and repertories?has
name musikologie did not last long because Guido Adler renamed the field in 1885, and Comparative Music was born. Guido defined the field as dealing with folksongs of different peoples for ethnographical and comparative purposes. Later the definitions were adapted to focus only on the music of non-western cultures (Merriam 1977).
Nov 17, 2020 · In fact, the field was referred to early in its existence as “comparative musicology,” defining Western musical traditions as the standard to which all other musics were compared, though this term fell out of use in the 1950s as critics for the practices associated with it became more vocal about ethnomusicology’s distinction from ...
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It was known as comparative musicology until about 1950, when the term ethnomusicology was introduced simultaneously by the Dutch scholar of Indonesian music Jaap Kunst and by several American scholars, including Richard Waterman and Alan Merriam. In the period after 1950, ethnomusicology burgeoned at academic institutions.
May 28, 2013 · Now including the study of any music, ethnomusicology is less topically defined than it has been historically. Rather, it is characterized by its approach to music as a social phenomenon, investigated primarily through the interpretive science and art of ethnography. Ethnomusicologists render their work in writing, recording, and performing and ...
In 1981 the IFMC changed its name to the International Council for Traditional Music (ICTM), and it continues to flourish today as an important institution supporting an international dialogue among scholars studying primarily the music of their own nations.
