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      • The term “ethnomusicology” replaced “comparative musicology” to better capture the field's emphasis on description over comparison.
      en.wikipedia.org › wiki › Ethnomusicology
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  2. In 1956 the hyphen was removed with ideological intent to signify the discipline's validity and independence from the fields of musicology and anthropology. These changes to the field's name paralleled its internal shifts in ideological and intellectual emphasis.

  3. The name change signaled another shift in the field: ethnomusicology moved away from studying the origins, evolution, and comparison of musical practices, and toward thinking of music as one of many human activities, like religion, language, and food. In short, the field became more anthropological.

  4. Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.

  5. Ethnomusicology, field of scholarship that encompasses the study of all world musics from various perspectives. It is defined either as the comparative study of musical systems and cultures or as the anthropological study of music.

  6. The movement has a deep historical relationship with the discipline of ethnomusicology; not only did the nineteenth-century German philosopher Carl Stumpf serve as the habilitation supervisor for the founder of phenomenology, Edmund Husserl (Fisette 2009), but Stumpf and others in his milieu were also among the parents of comparative musicology ...

  7. In 1981 the IFMC changed its name to the International Council for Traditional Music (ICTM), and it continues to flourish today as an important institution supporting an international dialogue among scholars studying primarily the music of their own nations.

  8. Ethnomusicology in the modern world’ describes the ways that the field of ethnomusicology has changed since its inception. In the past, ethnomusicologists tended to stick to researching established musical practices, today this has changed considerably.

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