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Jun 10, 2024 · Working on a soundstage made it easier for Elswit to light the scene transition, which involved him turning on practicals and making the light come through the windows.
- Jazz Tangcay
Jun 18, 2024 · Cinematographer Robert Elswit Breaks Down 'Ripley's' Black & White Cinematography. Ripley really is one of those shows you have to see to believe. It just sucks you into the world so quickly, and a lot of that has to do with the patience of the shots. It's like we're being lured by external forces.
Jun 12, 2024 · The Oscar-winning cinematographer on how the Netflix series got away with murder. In writer-director Steven Zaillian’s Ripley, the only witnesses to the titular sociopath-turned-murderer — played with unsettling sangfroid by Andrew Scott — are silent ones. And, like everything else in Netflix’s captivating, eight-episode thriller, that ...
- Phil Pirrello
Apr 30, 2022 · The project’s troubled shooting period made Elswit work hard during the DI. “I was shooting another film in Rome and was going to a nearby digital suite for a couple of hours each night, doing virtual sessions with Stefan Sonnefeld at Company 3 in LA. I basically had to fix all the things I screwed-up.
Apr 10, 2024 · Elswit says that lead actor Andrew Scott has such an expressive face, “it dominates the series in a way. In all the different lighting setups where we did medium close-ups and tight close-ups, it was always fun to find an interesting way of creating contrast and shadows on his face.”
May 4, 2024 · Credit production designer and two-time Oscar nominee David Gropman, set decorator Alessandra Querzola, director Steven Zaillian, and cinematographer Robert Elswit for creating the stunning ...
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Dec 1, 2021 · Robert Elswit (AFI Class of 1977) is one of the most versatile and dynamic cinematographers working today. Cutting his teeth as a visual effects camera operator on landmark films such as THE EMPIRE STRIKES BACK and E.T. THE EXTRA-TERRESTRIAL, Elswit graduated with an MFA in Cinematography from AFI and transitioned to working as a full-time cinematographer on his first feature, THE END OF ...
