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Francis Matcham (22 November 1854 – 17 May 1920) [1] was an English architect who specialised in the design of theatres and music halls. He worked extensively in London, predominantly under Moss Empires for whom he designed the Hippodrome in 1900, Hackney Empire (1901), Coliseum (1903), Shepherd's Bush Empire (1903) and Palladium (1910).
His Majesty’s Theatre is a category A listed proscenium arch theatre designed by celebrated architect Frank Matcham and opened in December 1906.
DateTheatreLocationNotes1891 [18]Built as an Opera House, from which it ...1894 [20]Blackpool, EnglandBuilt at a cost of £20,000 for Thomas ...1894 [22]Built as a drama theatre at a cost of ...1897 [25]Grand TheatreSt. Leonard's Gate, LancashireFirst opened as "The Theatre, Lancaster" ...Learn about the life and work of Frank Matcham, the leading theatre architect of the 19th century. Discover some of his most impressive creations, such as the London Coliseum, the London Palladium and the Buxton Opera House.
May 20, 2021 · No one has been as big an influence on British theatre design as Frank Matcham. In the late Victorian and Edwardian eras, the engineer and architect built over 100 theatres and redesigned and refurbished a further 80, including the London Hippodrome, Liverpool Olympia and the ballroom at Blackpool Tower.
Frank Matcham 1854-1920 List of Theatres. Listed here are the significant works of Frank Matcham. These are original works, with those that still stand, whole or in part, shown in bold. It has been taken from the Theatres Trust ‘Guide to British Theatres 1750-1950 A Gazetteer’.
In addition to the List of Theatres on the previous page, here is the list of theatres that were originally built by others, but for which Frank Matcham was the architect of the re-built theatre, or partial adaptations of a pre-existing building. All have been demolished except where shown in bold.
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May 5, 2002 · Matcham was the most prolific theatre architect of all time, certainly in Britain. He was responsible for the design or complete redesign of more than 120 theatres and ‘variety palaces’ in the thirty-three years from 1879 to 1912, and the reworking of many more.
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